SCALELIST UNIVERSE
Saga III · The Architect War · Arc 5 · Smedjan

Chapter 118

Every Good Weapon
PAGE 1
P1WIDE, the lava-lake, morning.

The Melters' platform is wrecked. The crucible lies cold on its side. Slagg kneels in the black oil, shaking, hands over his face, weeping, while the forge-folk stand in a ring around him. Nobody knows what to do.

P2CLOSE, Slagg

through his fingers.

SLAGG
…I can hear them. Every one. Every sword I put under. Every bow. A little girl's knife that sang when she cut bread. I can hear them all crying.
PAGE 2
P3CLOSE, Malm

walking slowly across the oil to his old apprentice, his coal-eye dim.

MALM
Good.
P4CLOSE, Slagg

looking up at him, ruined, human.

SLAGG
…Good?
MALM
It means they're not gone. A soul you can hear is a soul that can come back.
PAGE 3
P5A SOUND.

Shouts from the harbour below. The Melter ships are casting off: black hulls riding low in the water, holds stacked with cauldrons of quenched weapons, hundreds of silenced souls, heading for the blockade gap and the Order.

P6CLOSE, a forge-girl

with soot on her cheeks, pointing, screaming.

FORGE-GIRL
They're taking them! All the quenched ones! To Glasheim!
PAGES 4–5 — THE CLASH
P7ACTION, a run of fast panels.

The whole of Smedjan moves:

Fru Gnista, from Kompis's hand, launches a firework that bursts over the lead ship's sails and sets them alight.

Tyst silently severs the anchor-chains of two ships so they swing into each other.

Smurjan's Triple Pulse snaps a mainmast in three places.

Forge-folk row out in a hundred little boats with hammers and tongs, swarming the black hulls.

P8ACTION.

Slagg, still weeping, runs into the harbour, up a Melter gangplank, straight into his own men.

SLAGG
STOP! Put them DOWN! Can't you HEAR them?!
MELTERconfused
…Foreman? Hear what?
PAGE 6
P9ACTION.

Slagg tears the oil-gauntlet off a Melter's hand and flings it into the sea, then another, then another. Without the gauntlets, the Melters flinch. A few of them are starting to hear something too.

P10WIDE.

The Melter fleet founders in the harbour, sails burning, chains cut, forge-folk climbing over the rails. The Melters surrender one by one, sitting down on their own decks. The cauldrons are hauled ashore.

PAGE 7
P11CLOSE, Slagg

on the dock, kneeling beside a cauldron, reaching into the black oil with his bare hand, and lifting out a quenched sword. He holds it against his chest. He hums to it: badly, awkwardly, a song he doesn't know the words to.

P12CLOSE, the sword.

Under the black, faint, a soul stirs.

PAGE 8
P13CLOSE, Malm

watching from the dock, arms folded.

MALM
…You'll unquench every one. By hand. One at a time. It'll take you the rest of your life.
P14CLOSE, Slagg

not looking up from the sword.

SLAGG
…Yes, master.
MALM
Glöd's anvil is free. · Don't whistle at it. That's his.
PAGE 9 — THAT EVENING
P15WIDE, the summit forge, sunset.

Malm alone at the great anvil, humming Glöd's three notes. Rougeina comes up the path. She has been waiting all arc to ask.

P16CLOSE, Rougeina

drawing one of her eight blades and laying it on the anvil.

ROUGEINA
You said not today. It's tomorrow.
PAGE 10
P17CLOSE, Malm

lifting the blade to the forge-light, turning it. The coal-eye glows. Every blade on every rack in the forge leans toward it.

MALM
…Every weapon on this mountain knows where it came from. It's in the grain. The hammer marks. The quench.
MALM
These have none. No grain. No hammer. No heat.
P18CLOSE, Malm.
MALM
I didn't forge your blades, girl.
MALM
These were never forged. They were cut.
PAGE 11
P19CLOSE, Rougeina.
ROUGEINA
…Cut from what?
P20CLOSE, Malm

laying the blade back in her hands, very gently.

MALM
From a mirror.
P21CLOSE, Rougeina

white. She looks down at the blade in her hands. In its too-perfect surface, her own face looks back. For one heartbeat, behind her reflection, there's a warmth, like breath on cold glass.

PAGE 12
P22CLOSE, Rougeina

stepping back, sheathing the blade too fast.

ROUGEINA
…Little storm.
MALM
What?
ROUGEINA
Nothing. Someone used to call me that.
P23CLOSE, Malm

watching her go down the path, humming slower.

MALMto himself
…A mirror that doesn't want to be forgotten. Hm.
PAGE 13
P24WIDE, the forge's scrap-heap

where the Melters' confiscated junk has been piled: broken tools, dull blades, a tangle of chains. Malm sorting through it alone by lamplight.

P25CLOSE, Malm's hand

pulling something out of the heap: a small, old, cloth-wrapped knife, a child's hunting knife, the cloth faded with a label in Trisdel script: CONFISCATED · NURSERY · INTAKE K. He turns it over. His coal-eye flares. He wraps it again, carefully, and puts it in his apron without a word.

PAGES 14–15 — SPLASH
P26SPLASH (double page). FOUR OF FIVE.

Night on the Marka's deck, moored in Smedjan's harbour under a sky full of forge-sparks. Kompis sits cross-legged with Mingus asleep across his feet and four guns laid out around him in a ring, each soul visible above its metal:

Ivar, grumpy moustached ghost, arms folded, pretending not to be pleased.

Lilla Ulv, the wolf cub, curled up asleep in Ivar's ghostly lap.

Fru Gnista, the old fireworks lady, telling a story with her hands.

Tyst, sitting cross-legged with the cloth over her mouth, listening.

His bandolier hangs on the mast behind him: four loops filled, and the fifth empty.

PAGE 16
P27CLOSE, Malm

on the dock in the dark, looking up at the empty fifth loop on the bandolier. His hand rests on his apron pocket.

KOMPISnoticing him
Master Malm? Is there… is there a fifth?
MALMafter a long time
The fifth one isn't ready.
MALM
Neither are you.
P28CLOSE, Kompis

puzzled, but he nods. Malm walks away, humming Glöd's three notes.

PAGE 17 — THE HOOK
P29CLOSE, Kompis's left wrist.

The small golden knot of his sin-mark burns, warm, then hot, glowing gold through the night.

P30ACTION.

Out of the air in front of him, out of nothing, a book materialises into his hands. Heavy, bound in gold thread woven like a net, its pages edged gold, and a heavy clasp locked. On the clasp, in glowing gold script:

READ WITH A FRIEND.

P31FINAL PANEL, wide.

Kompis staring at the book. Above the harbour, in the night sky, one star splits in two: violet on one side and rose on the other, two halves of one light pulling apart and touching, like a heartbeat.

IVARwaking, squinting up
…Well, that's not normal.
END OF CHAPTER 118

Script edition: the pages as written, before the art.