SCALELIST UNIVERSE

Chapter 160

The Last Field
PAGE 1
P1WIDE, the Current

changing. The starlight sea is paler here, the stars thinning, the colours draining out of the water, as if someone had left a painting in the sun too long. Far off on the horizon, a grey smudge with no stars at all.

Near the edges, the Current goes grey. The Null is eating inward.
P2MID, the Marka's deck.

The crew at the rail, uneasy. Vigolas at the bow beside the Kettle's bell, where a plank with his old ship's name, bought back on Skatt, is nailed to the rail. He keeps touching it.

PAGE 2
P3CLOSE, Kompis

eyes gold, squinting at the grey.

KOMPIS
…There are no threads out there. None. Not frayed. Just none. Like someone erased the paper.
P4CLOSE, Drekk

at the wheel, counting under his breath, uneasy.

DREKK
Ship doesn't like it. Bark's creaking. She can feel the edge.
PAGE 3
P5WIDE.

On the grey water ahead, floating alone like a raft, is one acre of golden barley. A single field, ripe, swaying in a wind that isn't there. At one end, a small stone farmhouse with a thatched roof. A scarecrow in the middle, wearing an old man's felt hat. A dog-kennel. Around the edges of the acre the grey water laps at the soil, and the soil holds.

P6CLOSE, Mingus

ears straight up, tail starting to wag, staring at the kennel.

PAGE 4
P7CLOSE, the field.

In the middle of the barley, walking slowly along a furrow, a girl of about seventeen: square-shouldered, sunburned, a straw-coloured braid as thick as a rope, a scythe on her back with a worn ash-wood handle. Wherever her boots touch, even on bare packed earth, fresh grass springs up. She's talking. To no one. Steadily.

THE GIRL
…Farmor Sigrun. Little brother Halm. Old Järn the smith. Ma Svea at the harbour. Fisher-Olle. Tant Gerd and her three goats. Bonde…
P8CLOSE, her forearms

sleeves rolled. Up both arms, written in emerald script like barley stalks, names, dozens of them, glowing faintly as she says each one.

PAGE 5
P9CLOSE, Rougeina

watching from the rail, very quiet.

ROUGEINA
…She's carrying them. Saying them so they're not nowhere.
VIGOLAS
Like you.
ROUGEINAafter a beat
…Like me.
P10RANK PLATE

flickering over the girl as the Marka draws close:

ÖDE · DRIFTING-8 · K-I UNMARKED (Värn's records, never updated) · Scalelist: — (her world is uncounted)

PAGE 6
P11A SOUND.

Chains. Creaking timbers. Gulls screaming. From the grey, a fleet: a dozen ugly barges lashed together from the wrecks of other ships, hung with salvage (anchors, bells, door-frames, a church weathervane), nets and hooks dangling. On their decks, figures in patched scavenger leathers.

RANK PLATE ×30: GLEANER · K-II MARKED · scavengers of dead islands

P12CLOSE, a Gleaner

pointing at the acre with a long boat-hook, hungry.

GLEANER
Soil! Good soil! Last for a thousand leagues! Strip it!
PAGE 7
P13CLOSE, Öde

in the barley, turning toward the fleet, slowly. She doesn't run. She takes the scythe off her back.

ÖDE
…Not today. Not again.
P14CLOSE, Vigolas

already climbing onto the bow, grinning.

VIGOLAS
Okay! I like her. Everybody off!
PAGES 8–9 — THE CLASH
P15ACTION, a run of fast panels.

The crew leaps onto the acre and into the fight:

Gleaners swarm off the barges with shovels and sacks, digging the barley up by the roots, stuffing soil into bags.

Öde swings her scythe in wide, practised harvest-arcs, a farm girl's motion, and mows a line of Gleaners off their feet.

Vigolas punches lightning through a barge's salvage-mast.

Smurjan's Triple Pulse knocks three shovel-wielders into the grey water.

Rougeina Moth-Swaps with a barley-moth onto a Gleaner's head.

Mingus runs straight to the empty dog-kennel, sniffs it, and whines.

P16WIDE.

There are too many: a hundred Gleaners, a dozen barges, hooks biting into the acre's edges, dragging the field apart, soil crumbling into the grey sea.

PAGE 10
P17CLOSE, Öde

back to the farmhouse wall, scythe up, breathing hard, a Gleaner's net over one shoulder. Around her the field is being torn up by its roots.

ÖDE
…Stop it. That's my grandmother's barley. That's the last—
P18CLOSE, Kompis

landing beside her, firing Lilla Ulv, cutting the net off her.

KOMPIS
We're with you. Who's in there? (He nods at the farmhouse.) Anyone we need to get out?
ÖDE
…Everyone. And no one.
PAGES 11–12 — SPLASH
P19SPLASH (double page). THE LAST FIELD.

One acre of golden barley on a grey sea, being torn apart: Gleaner barges on every side, hooks dug into its edges like a fish on a line, soil crumbling into the grey, scavengers swarming through the wheat with sacks. In the centre, against the stone wall of a little farmhouse, a seventeen-year-old girl with a scythe, a crew of strangers fighting around her, and a golden dog sitting in front of an empty kennel.

The grey of the Null's edge on the horizon behind it all, watching.

PAGE 13
P20CLOSE, Mother Skrap's barge

the biggest, at the back, a throne of salvage on its deck. A figure on the throne in a long coat sewn from a hundred flags, every flag a different colour, faded. She doesn't move. She watches.

FIGUREoff-panel, a voice like a rusty hinge
…Take the soil. Leave the girl. She'll die soon enough, and then she's mine.
P21CLOSE, Öde

hearing it. Her jaw sets.

PAGE 14
P22CLOSE, Öde

turning to the crew around her, very calm suddenly.

ÖDE
Stand close to me. All of you. Don't let go of the barley.
VIGOLAS
Why?
ÖDE
Because I'm going to bring everyone home. For an hour.
PAGE 15
P23CLOSE, Öde

planting the butt of the scythe in the soil. Kneeling. Both hands on the ash-wood handle. The emerald names up her arms blaze.

P24CLOSE, her face

eyes closing. Not praying. Remembering.

ÖDE
…Farmor Sigrun. Little brother Halm. Old Järn. Ma Svea. Fisher-Olle. Tant Gerd. Bonde.
PAGE 16 — THE HOOK
P25CLOSE, the dog-kennel.

A low woof from inside it, from nothing.

P26FINAL PANEL, wide.

Öde, kneeling with the scythe, whispering into the barley, and colour flooding outward from her: the grey sea going blue, the stubbled soil going gold, a summer sky unrolling overhead like a blanket thrown over the world, and the edges of something huge beginning to appear around the acre.

ÖDE
…Everyone. Come home.
END OF CHAPTER 160

Script edition: the pages as written, before the art.