SCALELIST UNIVERSE

Chapter 162

What The Null Does
PAGE 1
P1MORNING, the last field.

Öde stands at the rim of her acre where barley meets grey water, reading the names on her arm aloud, softly, one by one. Grass springs around her boots. Behind her the crew wakes on the stubble: Vigolas sprawled on his back, Mingus asleep in the empty kennel.

ÖDE
…Ma Svea. Fisher-Olle. Tant Gerd. Lill-Britt from the mill. The Åkerlund twins…
P2CLOSE, Vigolas

sitting up, listening. He mouths the names after her, silently, trying to learn them.

PAGE 2
P3CLOSE, Öde

stopping at the gap near her wrist. Her thumb rubs the bare skin. She skips it, the way you skip a stair that isn't there.

ÖDE
…One hundred and eleven.
P4CLOSE, Vigolas.
VIGOLAS
You do that every morning?
ÖDE
Every morning. If I stop remembering them, there's nobody left who will.
PAGE 3
P5MID, Öde

slinging the scythe on her back, nodding toward the grey horizon.

ÖDE
You want to fight the Gleaners? You should see what they follow first. Come on. It's close today.
KOMPIS
What's close?
ÖDE
The edge.
P6WIDE.

The Marka with the crew aboard, Öde in the bow, sailing out from the acre toward the grey. The Kettle's bell at the bow is strangely quiet. Drekk taps it; it gives only a dull tunk.

DREKK
…Even the bell doesn't want to go.
PAGE 4
P7WIDE, the edge of the Current.

Here the starlight sea simply stops being. There's no wall, no storm, no shoreline: the stars thin, the water greys, and then there's a soft, flat, endless nothing, the colour of old paper, stretching up and out forever.

The Null has no teeth. It doesn't need them. It takes what's there and leaves what isn't.
P8CLOSE, Kompis

eyes gold, wincing as if staring at the sun.

KOMPIS
…No threads. No anything. It's not dark. Dark is something. That's…
SMURJANquietly, his three shadows pressed close to him
…Nothing. All seventeen of them have gone silent. They don't want to look.
PAGE 5
P9WIDE.

Drifting toward the grey, slowly, as if on a current it can't fight: an island. A small green world, a village on a hillside, a mill, a church, washing on the lines. People in the streets, pointing at the grey, running.

P10CLOSE, Öde

very still in the bow.

ÖDE
Fjällmå. A fishing island. I traded barley there once. · They've got about an hour.
PAGE 6
P11A SOUND.

Chains. From the grey haze on the far side of Fjällmå, the Gleaner fleet, patched barges, hooks out, already circling the island like gulls round a dying whale.

GLEANERthrough a horn
SALVAGE RIGHTS! SALVAGE RIGHTS! EVERYTHING NOT NAILED DOWN!
P12CLOSE, Vigolas

at the bow, eyes going hard.

VIGOLAS
They're stripping a place while people are still in it?
ÖDE
They don't care about the people. The people are going anyway. They want the things.
VIGOLAS
…Drekk. Get us in close.
PAGES 7–8 — THE CLASH
P13ACTION, a run of fast panels.

Two races at once.

The Gleaners swarm Fjällmå's harbour, ripping out door-frames, prising up cobbles, cutting down church bells.

The crew lands at the quay and runs the other way, into the streets, pulling people toward the Marka.

Vigolas punches lightning through a Gleaner's hook-chain, freeing a fishing boat full of children, and shoves it toward the Marka.

Smurjan, the Triple Pulse: one beat, three Gleaners off a roof, and an old man caught in his other arm.

Kompis with Lilla Ulv, bouncing shots round a corner to cut a looting-net, letting a family fall free.

Öde, Scythe-Sweep, a long even stroke mowing a whole line of Gleaners off a pier, then grabbing a girl by the wrist and running.

P14WIDE, the island's far edge.

And behind all of it, the grey has arrived. The far side of Fjällmå is touching the Null.

PAGE 9
P15CLOSE, the island's edge, a run of four panels in strict order.

This is the rule.

1. Colour. A red barn goes grey, as if painted over in ash. Then the grass. Then a woman's blue scarf.

2. Shape. The barn softens, its corners blurring like a drawing being rubbed out.

3. The count. A man standing in the grey street, mid-shout, mid-step, is gone. Not dead. Not falling. Just not.

4. Beside where he stood, a woman stops calling his name, frowns, and looks around, puzzled, as if she has forgotten why she was shouting.

PAGE 10
P16CLOSE, Rougeina

frozen on a rooftop, a child under one arm, staring at the woman who forgot.

ROUGEINA
…She was calling for him. And then she wasn't.
P17CLOSE, Öde

running past below, not looking.

ÖDE
Don't watch! Grab and run! Once it's got the count, nobody remembers! Not even them!
PAGES 11–12 — SPLASH
P18SPLASH (double page). WHAT THE NULL DOES.

Fjällmå, half eaten. On the right, a green island in full colour, people running, Gleaner barges at its harbour, the Marka at the quay with the crew hauling people aboard. On the left, the same island fading: grey houses, soft-edged streets, a church spire rubbing out against the paper-coloured sky, and figures in the streets, some of them already half gone, mid-stride. Down the middle, the line where the colour stops, moving, slowly, like a tide coming in.

In the centre, small, Vigolas carrying two old fishermen at once over the line of colour, the grey licking at his heels.

PAGE 13
P19ACTION.

Vigolas tries to hit it. Of course he does. Full lightning, straight into the grey edge.

The lightning goes in, and doesn't come out. No flash. No sound. No impact. The light simply isn't anymore.

P20CLOSE, Vigolas

staring at his empty fist.

VIGOLAS
…It didn't even notice.
TROLLMAGEawake, grim, beside him
It doesn't fight back. You can't fight it. There's nothing there to hit.
PAGE 14
P21ACTION.

The last of the people the crew could reach pile onto the Marka's deck: sixty, seventy, crying, coughing. Mingus runs among them, licking faces.

The Gleaner barges cast off from the dying harbour, loaded with bells, beams and cobbles, laughing.

P22CLOSE, Kompis

at the rail, looking back at the half-grey streets. People are still there. Too far. Too late.

KOMPIS
…We can't save them all.
ÖDEbeside him, flatly
No. You never can.
PAGE 15
P23WIDE.

Fjällmå slides entirely into the grey: the church goes, then the mill, then the hill. Then there's nothing where an island was. The water closes over the place in the Current like it was never there.

P24CLOSE, a little girl

on the Marka's deck, one of the saved, pulling at Rougeina's sleeve.

GIRL
…Where were we going? Where did we come from?

(She can't remember. Nobody aboard can remember the island's name.)

PAGE 16
P25CLOSE, Rougeina

kneeling with the girl, very pale. Her hand goes to her heart, where the dead she carries are, every one of them with a name.

ROUGEINAbarely audible
…Forgotten. By everyone at once.
ROUGEINA
…That's what I do.
P26CLOSE, Öde

sitting down beside her on the deck, without asking.

ÖDE
No. You remember them. You're the only one who does. · That's what I do, too.

(A long silent beat between the two women. Neither says anything else. Neither needs to.)

PAGE 17 — THE HOOK
P27WIDE, from high above.

The Current at the edge. Where Fjällmå was, the grey is smooth and blank. And slowly, slowly, like a tide turning, the line of the grey edge bends, curving round toward a tiny golden speck far off in the dark.

P28FINAL PANEL, close on Öde

standing at the stern, staring back at the bending edge. Her knuckles white on the scythe.

ÖDE
…It's turning.
VIGOLAS
Toward what?
ÖDE
Home.
END OF CHAPTER 162

Script edition: the pages as written, before the art.