SCALELIST UNIVERSE

Chapter 167

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PAGE 1
P1WIDE, before dawn.

The last field, gold inside a ring of grey. And out on the water, the whole Gleaner fleet: every barge, lashed into one great floating raft of salvage, bristling with hooks, torches already lit. At its heart, a throne of wreckage, and on it a small bent figure in a coat of a hundred flags.

P2CLOSE, Drekk

at the Marka's wheel, counting barges under his breath, giving up.

DREKK
…All of them. She's brought all of them.
PAGE 2
P3CLOSE, Öde

sitting with her back against the fence post where she sat all night, sleeves rolled up, reading her arms. Not aloud this time.

ÖDEto herself
…One more hour. One more name.
P4CLOSE, Mother Skrap's voice

carrying across the water, gentle, almost loving.

MOTHER SKRAPoff
You'll have to pick one, little harvest. That's the game. Pick.
ÖDEthrough her teeth
…Pick? You want me to pick?
PAGE 3
P5CLOSE, Vigolas

sitting down in the barley right in front of her, cross-legged, knees almost touching hers.

VIGOLAS
Before you do. Tell me about them.
ÖDE
…What?
VIGOLAS
All of them. As many as there's time for. (He taps his own temple.) I'm bad at keeping things. Somebody keeps taking them. · But I'll keep these. So whoever you pick, somebody still has them.
P6CLOSE, Öde

staring at him. Her lip shakes.

PAGE 4
P7MONTAGE, small panels down the page.

Öde reading the names off her arm fast, and Vigolas repeating every one, eyes shut, memorising. Then Kompis sits down beside him, then Rougeina, then Smurjan with Kali on his shoulder, then Drekk at the rail, mouthing along. Even Trollmage, asleep, mumbles names in his sleep.

ÖDE
…Ma Svea, harbour-master, cheated at cards. Fisher-Olle, missing two fingers, sang flat. Lill-Britt from the mill, taught me to whistle. Tant Gerd, three goats, all called Gerd…
VIGOLAS / KOMPIS / ROUGEINAoverlapping
…Ma Svea. Cards. Fisher-Olle. Sang flat. Lill-Britt, whistling. Tant Gerd, Gerd, Gerd and Gerd…
PAGE 5
P8CLOSE, Öde's finger

stopping on one name on her forearm. A thick, square name, written heavier than the others: JÄRN.

P9FLASHBACK, warm colours.

A forge in Värn. A huge, soot-black, leather-aproned old man with forearms like ship-ropes and a beard singed at the tips, sitting a small girl with a too-big scythe on an anvil-block, guiding her hands along the blade with a whetstone.

OLD JÄRNflashback
Long strokes, girl. Toward the edge, never away. A blade's only as good as the hand that cares for it.
LITTLE ÖDEflashback
It's boring.
OLD JÄRNflashback, laughing
So's being alive, mostly. Do it anyway.
PAGE 6
P10CLOSE, Öde

back in the present, her thumb on his name. A small, wet, crooked smile.

ÖDE
…Järn.
VIGOLASgently
Tell me everything.
P11CLOSE, the two of them

heads together in the barley, as she talks fast and low. We don't hear all of it. Snatches in the balloons: "…his wife died the year I was born, and he made a bell for her…" "…he couldn't sing either…" "…he called me 'girl' because he said names were for people you might lose…"

ÖDE
…He'd say, "Use me, girl. What's a smith for?"
PAGE 7
P12CLOSE, Vigolas

eyes shut, repeating it word for word.

VIGOLAS
Long strokes. Toward the edge. A bell for his wife. Couldn't sing. "What's a smith for." (He opens his eyes.) Got him. I've got him.
P13CLOSE, Öde

standing up, gripping the scythe, Järn's scythe-edge gleaming, the edge he taught her.

ÖDE
…Okay. · Okay.
PAGE 8
P14WIDE.

The Gleaner raft-fleet surging in from the sea and out of the grey at once, hooks flying, torches arcing. And Mother Skrap rising from her throne, salvaging two sinking barges at once, swelling huge, a sinking ship's fury in each fist.

P15CLOSE, Öde

planting the butt of the scythe in the soil, kneeling, eyes shut. The emerald names blaze up both arms, every one but one at its usual brightness, and JÄRN burning brightest of all.

ÖDE
…Everyone. Come home.
PAGES 9–10 — SPLASH
P16SPLASH (double page). VÄRN, ONE MORE TIME.

The world unfolds around the acre, sunlit and blue: the red houses, the white church, the harbour, the mill, the windmill turning, gulls, summer. 111 people of Värn pour out of doors and up from boats and fields, every one of them with something in their hands: pitchforks, oars, flails, frying pans. Farmor Sigrun at the front with her pitchfork. Halm on the church wall with his slingshot. Bonde bounding to meet Mingus in the barley. And in the open door of the forge, outlined in red forge-light, hammer on his shoulder, Old Järn, looking straight at Öde.

He already knows. You can see it on his face. He nods.

PAGE 11
P17CLOSE, Old Järn

walking through the battle toward her like a man going to work, not hurrying.

OLD JÄRN
So it's me, is it?
ÖDEcrying
…I'm sorry—
OLD JÄRN
Don't be. (He hefts the hammer.) What's a smith for, girl?
PAGES 12–13 — THE CLASH
P18ACTION, a run of fast panels.

Värn and the crew against the whole Gleaner fleet.

Farmor Sigrun and Ma Svea's fishing boats ramming the raft-fleet's outer barges.

Halm and Kompis side by side on the church wall, slingshot and Lilla Ulv, bouncing shots off the same weathervane.

Rougeina Moth-Swapping through a sky full of Värn's summer moths, eight silver-rose blades cutting hook-chains.

Smurjan, the Triple Pulse, three strikes, three barges' masts.

Bonde and Mingus, two dogs, herding a whole crowd of Gleaners off the quay.

Vigolas, green lightning in both fists, punching a hole straight through the raft-fleet toward its heart.

P19ACTION.

Old Järn, with a hammer, beside Vigolas. A smith and a pirate, swinging in the same rhythm. Järn's hammer smashes the hooks off a barge's chain like nails out of a board.

OLD JÄRNto Vigolas, mid-swing
You the one that's keeping me?
VIGOLAS
Long strokes, toward the edge. Bell for your wife. Can't sing.
OLD JÄRNa great barking laugh
Ha! Good lad.
PAGE 14
P20CLOSE, Mother Skrap

enormous, wading through the harbour, wearing two sinking barges like gauntlets. Her bright eye fixes on Old Järn. She can see it: at his edges, his outline is already beginning to fray, soft as old cloth. The chosen one. Fading.

MOTHER SKRAPalmost tender
…Oh, look at you. You're dying, old man. (She reaches.) Come to Mother.
P21ACTION.

Her huge ringed hand closes round Old Järn, to salvage him: to drink the last strength of a fading memory and wear it.

PAGE 15
P22ACTION.

And it BURNS her. Gold-white fire bursts out between her fingers, races up her arm, and blackens the borrowed rings. The salvaged barges fall off her in burning planks.

MOTHER SKRAP
AAAAGH!
P23CLOSE, Old Järn

standing untouched in the smoke, hammer on his shoulder, looking at her almost kindly.

OLD JÄRN
I'm not dying, woman. (He nods back at Öde.) I'm given. There's a difference.
PAGE 16
P24ACTION.

Shrinking, staggering, her hand smoking, Mother Skrap reels back into her own fleet. Old Järn and Vigolas swing together, hammer and green-lit fist, one blow, and the whole raft-fleet's central chain snaps. The lashed barges burst apart, drifting, turning, Gleaners leaping into the sea and swimming for the grey.

P25CLOSE, Mother Skrap

small, bent and burned, dragged back onto her throne-barge by her Gleaners as it slides into the haze. Her burned hand is pressed over the one bright flag on her chest, the blue-and-white one, as if protecting it.

MOTHER SKRAPoff, fading into the grey
…given…
PAGE 17
P26WIDE.

Silence. Värn's harbour, sunlit, full of drifting wreckage. The people of Värn cheering on the quay. The church bell starting, on its own, to ring the hour.

Värn begins to fold.

P27CLOSE, Old Järn

the last to fold, standing in the door of his forge as the world rolls up round him like paper. He lifts his hammer to Öde in salute.

OLD JÄRN
Long strokes, girl.
ÖDEon her knees
…Toward the edge.

(He folds away.)

PAGE 18 — THE HOOK
P28WIDE.

The one acre of gold barley on the grey water. The crew standing in it, battered. Mingus sniffing Bonde's empty kennel. The scattered wreck of the Gleaner fleet drifting away in the distance.

P29FINAL PANEL, close on Öde's forearm.

The thick, square name JÄRN, the brightest stalk of all, going grey, then pale, then gone. A gap in the barley. Beside her, Vigolas puts his hand very lightly over the empty place, the way you'd cover a wound.

(111 → 110.)

END OF CHAPTER 167

Script edition: the pages as written, before the art.