SCALELIST UNIVERSE
Saga V · The Current · Arc 7 · The Heartwood

Chapter 306

Blades Down
PAGE 1
P1WIDE, a ring-terrace far below the high rib.

Emma walking along the terrace with her ash staff, looking for her captain. And out of the amber air above, turning over and over, a sliver of mirror-steel falling, and standing in the wood a stride ahead of her, quivering.

THUNK. (and a thin, high) …nnnnnng.
P2CLOSE, Emma

looking at the blade. Then up: at the highest rib in the bowl, at a tiny barefoot figure perched up near the ceiling, a black panther beside her, and, along the rib, the faint grey stripe of the groove.

EMMAquietly, to herself
…Oh, love.
PAGE 2
P3CLOSE, Emma

not shouting, not climbing, not giving an order. Looking up and asking, her voice low and warm, a question even though it barely ends like one.

EMMA
…Rougeina? · Would you come down? · · That's not an order.
P4ACTION.

High on the rib, Rougeina's green eyes finding the blade standing in the wood beside Emma's boot. A pinpoint of silver-rose in her pupil. Blink: she is standing beside Emma, barefoot on the terrace, and up on the high rib, where she was, the blade lies on the grain beside her seven others. A faint silver-rose afterimage hangs in the air between them.

ROUGEINA
…Took you long enough.
EMMA
…I wasn't the one up a tree.
PAGE 3
P5CLOSE, Rougeina.

Her face doesn't look like her face. Something has gone out of it.

ROUGEINA
…It's saying their names. · All of them. · In my voice.

(Beside her ear, still, the grey sharp-tailed balloon: …Let them be nothing.)

P6CLOSE, Emma.
EMMA
…Do you want to put them down?
ROUGEINAa long beat
…I want to put something down.
EMMA
…Then let's find out what. · · May I draw round you?

(Rougeina, after a moment, nods once.)

PAGE 4
P7A CURLING STRIP OF PANEL round the page edge.

Emma walking a circle round Rougeina and herself in one unbroken walk, the white-iron ring at her staff's tip scribing a line of chalk on the pale wood, never lifting, round, round, until the two ends meet.

skrrrrrrrrrrrrtch… tk.

(A gold hairline runs round the line. The gold threads at Emma's wrists glow.)

P8CLOSE, the grey balloon

at Rougeina's ear, still there, still whispering. It hasn't gone. Emma looks at it, and doesn't pretend.

EMMA
…I can't stop it asking. · Nobody can stop anybody asking. · That's not making. · · But you can say no. · And then you can lie down.
PAGE 5
P9WIDE, from below.

Up through the wood, Runa's deep voice, woodgrain-bordered, from the grove far below.

RUNAthrough the floor
…It whispers into the wood. · A sleeper on the wood cannot say no. · · That is how most of them were Finished. · In their sleep.

(Rougeina's head turning slowly toward the far galleries, toward hundreds of grey shapes standing in the dark.)

P10CLOSE, Emma

her staff planted, her feet planted. Inside the line.

EMMA
…Not in here. · In here, nothing gets to ride a sleeper. · Nothing gets to make you. · · Not it. Not even me.
PAGE 6
P11CLOSE, Rougeina

looking at the grey balloon. At the gold line. At the far grey galleries. And speaking, for the first time, to the whisper, quietly, plainly:

ROUGEINA
…No. · Not end. · · Rest.

(The grey balloon hangs there a moment longer. Then cracks across, and falls apart like ash, outside the gold line.)

P12A RUN OF SMALL PANELS, slow.

Rougeina looking up at the high rib, where all eight blades now lie. Cross-Swap, eight times: each blade trading places with a chip of bark at her feet, blink, blink, blink, the blades landing in a row inside the circle and the bark chips pattering down onto the rib far above, a silver-rose afterimage for every one. Her feet rooted for a heartbeat each time.

Her fingers unbuckling the harness across her back. The X of eight hilts coming off her shoulders for the first time we have ever seen.

Her hands laying the eight blades on the wood in the order she sharpens them: one, two, three… eight. Fanned. Like the hands of a clock.

PAGE 7
P13CLOSE, Rougeina

kneeling, looking at her blades laid out on the floor, her hands empty. The panther padding in over the line and sitting down at her back.

ROUGEINAvery quietly
…They're still mine. · The names. · I'm keeping them. · · I'm just putting the blades down.
EMMA
…That's allowed.
P14CLOSE, Rougeina

doing something she has never once done on any page: lying down. On her side on the warm wood, knees drawn up, her cheek on her own arm, crimson hair falling over her face. The panther settling in a long black curve against her back. Her eyes closing.

EMMAsitting down cross-legged at the circle's edge, staff across her knees
…Sleep. · Nobody can make you wake up. · · Not even me.
PAGE 8
P15WIDE.

Outside the gold line, the grey groove circling in the grain: round once, round twice, a dozen small grey balloons drifting up from it and bumping against the line and sliding off, unable to find a sleeper to ride.

P16CLOSE, Rougeina's face

asleep. Smooth. Young. Lying down.

PAGES 9–10 — SPLASH
P17SPLASH (double page). BLADES DOWN.

A quiet splash. A broad pale terrace high in the dimming bowl of the Heartwood, the sap-light going amber-dusk, the great ribs of grain rising round it into shadow.

In the middle, a thin gold chalk circle on the wood. Inside it, the assassin asleep lying down, crimson hair across her face, one hand open on the floor, the black panther curled in a long dark crescent at her back with its yellow eyes half-shut. Beside her, eight thin blades of mirror-steel laid out in a fan like the hands of a clock, each catching a sliver of the last light.

At the circle's edge, Emma, sitting cross-legged with her ringed staff across her knees, a few grey threads in her auburn braid, watching over her.

Outside the line, drifting in the dusk like lost moths, the grey cracked balloons of the whisper, unable to come in.

PAGE 11
P18WIDE, the terrace.

The crews coming back up the ring-stair from wherever they've been, lamps swinging, and stopping dead at the edge of the terrace.

VIGOLASstaring, a whisper that isn't one
…She's lying down.
KOMPIShand over Vigolas's mouth
…Shh.
KALIout of Smurjan, in what she thinks is a whisper
…Is she DEAD?

SMURJAN, KOMPIS, EMMA (together): …Shh.

P19A RUN OF SMALL PANELS, tiptoeing.

Vigolas taking off his long coat to lay over her, realising halfway that it clinks (thirty-six shards, a dozen cubes), and very slowly putting it back on.

Svala, unwinding her long white scarf, the one like a contrail, and kneeling at the gold line, and asking Emma with her eyebrows. Emma nodding. Svala reaching in and laying the scarf over Rougeina's shoulder. ("Tell me his face. Then there's two of us." Svala doesn't say it. She doesn't have to.)

Tihi, deaf, tiptoeing in exaggerated silence, bells tied silent with her ribbon for the first time in the arc, finger to her lips at everyone.

PAGE 12
P20CLOSE, Trollmage

waddling up the ring-stair with the crow on his head, seeing the gold circle, and stepping into it without a word. Lying down flat beside the line, cheek on the grain.

TROLLMAGEalready half asleep
…Best room on either ship.
EMMA
…This isn't a ship.
TROLLMAGE
…Best room anywhere, then. · (snore)
P21CLOSE, the floor under Trollmage's cheek.

The grain warm. Far below, the slow vast tide of the tree's heart, one beat a season, not due for a long while. He's waiting, in the tree's time.

PAGE 13
P22CLOSE, Emma

alone at the line now, the crews gone back down to the grove for Roffe's supper. Up through the floor, the woodgrain voice.

RUNAthrough the wood
…Healer.
EMMA
…Ma'am.
RUNA
…You make rooms where nobody is made.
EMMA
…I try.
P23CLOSE, Emma's hand

on the gold line, not crossing it.

RUNA
…Hm. · I made a tree into one. · Mostly. · · Rest has a morning in it.
EMMAsoftly
…That's why I draw them.
PAGE 14
P24WIDE, a sap-fall on a lower ring.

Warm air rising off the falling amber in a steady updraft. Levla and Flexsnus on the landing beside it, flying a kite: a sheet of shed bark with a copied rune on it that came out crooked, which a Bark Monk gave them with a small bow, rising on the warm air off the fall, climbing, steady.

LEVLAlaughing for the first time in two days
…That's three!
FLEXSNUS
…Nine hundred and ninety-seven to go!
P25CLOSE, a row of Bark Monks

along the ring-edge, sap-stained hands folded, watching the first kite ever flown inside Ferdinand, their mouths very slightly open. One of them, the youngest, lifts a hand and waves at it.

PAGE 15
P26WIDE, the grove, night.

The crews asleep round Roffe's fire inside the glowing ring of the Rowan Ward. The sap-light ebbing. The Rune Wall's twenty-four silver runes the only bright thing, Hold brightest at the end.

P27CLOSE, Roffe

last up as always, banking the fire, and stopping by the foot of the Wall to straighten the grey boy's knitted cap. Patting the wooden head.

ROFFEsoftly
…Night, my heart. · Seconds tomorrow.
P28CLOSE, Runa

on her stool, still blind, leaning slowly sideways until her cheek rests on the Rune Wall. Listening to the heart. A long, peaceful panel.

PAGE 16
P29CLOSE, the grey boy's face

in the dark at the foot of the Wall, a hand's breadth from the blank swirl in the grain. Smooth. Peaceful. Mid-nod. Mouth a little open.

And the lips moving.

Not speaking. Shaping. The grey wood of the mouth flexing like a carving trying to remember it was a mouth.

…k-k… kh…
P30CLOSE, inside the boy's half-open mouth

in the dark between the grey lips: a thin stripe of grain gone smooth, a groove of nothing, very small, coiled there like a seed. It came in with him. It has been inside the Ward since the first night.

PAGE 17 — THE HOOK
P31CLOSE, Mingus

asleep against Kompis by the fire, his head coming up. Ears forward. Lips pulling back from his teeth.

And Runa, blind, her cheek on the Wall, her milky eyes snapping open.

RUNA
…Who is speaking?
P32FINAL PANEL, wide.

The foot of the Rune Wall. The grey boy's lips forming the last of a shape, one careless dry sound, "…kh—". And the dark glossy heartwood under the blank space after the twenty-fourth rune splitting: a single straight crack running down through the frozen swirl, clean as a knife-cut, and from it, the first thin pale line of something welling.

KRRRRRRRRK—
MINGUS
WOOF! WOOF! WOOF!
END OF CHAPTER 306

Script edition: the pages as written, before the art.