SCALELIST UNIVERSE
Saga VI · The Third Sign · Arc 1 · The Bark

Chapter 337

One Ship. And A Bit.
PAGE 1
P1WIDE, the Mouth.

The silver door in the mist closing: the walls of mist on either side sliding in toward each other, faster and faster, the Beam's light on them, and two lashed ships still inside the gap, the Marka's stern and the Upp Igen's bow the last parts not through.

fffffwwwwwhhhhhhSSSSSSSSHHH
P2CLOSE, Drekk

at the wheel, hauling, roaring.

DREKK
…IT'S CLOSING EARLY! · EVERYBODY HOLD ON!
PAGE 2
P3CLOSE, Flexsnus

at the Upp Igen's bow, tin in hand, looking straight ahead at the mist sliding in over the ship's nose.

FLEXSNUSvery quiet
…One ship. · · It's taking back the bit.
P4ACTION.

The lashed ships lurching forward with everything they have, the crews hauling on sheets, Svala flying a Flight-Line up the mainmast to slash a reef free, the sails cracking full. The hulls clearing the mist's edge, all of them, decks, rails, masts, almost.

PAGES 3–4 — SPLASH
P5SPLASH (double page). THE BIT.

The Mouth from the side, drawn like a shipwright's section: a wall of silver mist slamming shut across the Current, one heartbeat early. On the near side, out in the Shallows, two lashed bark ships bursting free into dark water, sails full, crews thrown flat on the decks.

And at the very front of the Upp Igen, where the bowsprit meets the stem, the mist closing on the figurehead: a raised fist carved in oak with a bandage across its knuckles, the carving of a captain's own hand, caught in the closing door, and sheared clean off, the cut drawn straight and silver as a ruler line, the fist falling away backward into the mist, into the Deep, gone.

SHHHHHHK.
PAGE 5
P6CLOSE, the Upp Igen's bow.

Where the fist was: raw wood. A clean, flat, pale cut across the stem, like a cross-section of a tree. Cork welling from it, slowly.

P7CLOSE, Jeppson

on his knees at the bow, his stiff hands on the cut. Not saying anything. His face working.

JEPPSONbarely audible
…I carved that. · · From his fist. · · He sat for it a whole afternoon. · Didn't move. · · The only afternoon he ever sat still.
PAGE 6
P8CLOSE, Flexsnus

sitting down hard against the rail, the tin open in his lap. The line MOUTH, 1 NOTCH. DUE: NOW striking itself through, a pin-scratch drawn by no hand. Paid.

FLEXSNUShollow
…Silly or terrible. · · I never get to pick.
P9CLOSE, Roffe

kneeling beside him, a huge hand on his shoulder.

ROFFE
…It was a fist, Flex. · · Not a person.
FLEXSNUS
…It was the first thing we ever made, Roff. · · Together. · · Before we were a crew.
PAGE 7
P10CLOSE, Emma

standing at the bow beside Jeppson, looking at the raw cut. Her hand on the stem.

EMMAquietly
…He'll say he'll grow another.
TIHIbeside her, not laughing
…He always says that.
EMMA
…And he always does.
P11WIDE, the Shallows.

And then the whole world going dark.

PAGE 8
P12CLOSE, the top of Fyren

seen from the water, small, far behind the closed Mouth. The lamp-room's great window, blazing, the Beam swinging round. And then, at its centre, a giant hand on a shutter-lever.

P13CLOSE, Hallbard's hand

on the lever. Shaking. Four hundred years of never.

HALLBARDvery quietly
…Forgive me, ships.
PAGE 9
P14ACTION.

The lever pulled. The lens's shutters closing round the flame one after another, clack clack clack, the Beam shrinking, narrowing, a sword, a needle, a thread of light across the Current.

KLAK — KLAK — KLAK — KLAK
P15WIDE, the Current.

The thread of light going out. Fyren dark. For the first time in four hundred years, nothing turning at the Mouth. The Shallows, the Deep, every ship on them, blind.

(A black panel. Just the faint shapes of stars.)

PAGE 10
P16WIDE, the Order's fleet.

A hundred ships in a crescent, their lanterns suddenly tiny and useless in a dark that has no lighthouse in it, sentries on every deck spinning round, staring.

SENTINEL CAPTAIN
…The light's out! · · Fyren's OUT!
ANOTHER
…That's never— · It's never been—
P17CLOSE, a black-and-silver ship

among them, its rows of still grey figures turning their heads all at once, in perfect unison, toward where the light was. No voices. No lanterns. Just turning.

PAGE 11
P18THE LAMP-ROOM, in the dark.

A tiny flame behind closed shutters, a red glow through the cracks. And Hallbard, a giant in the dark, standing in the middle of the room, his slitted eyes open, seeing nothing at all: not one thing, for the first time since the Sweep.

HALLBARDhoarse
…I can't see anything.
KRYDOGbeside him, his hand finding the giant's arm
…That's the idea. · · Sit down.
P19CLOSE, Hallbard

being steered by a bandaged hand to the step below the lens. The step he has never once sat on.

HALLBARD
…I don't know how.
KRYDOG
…Bend your knees.
PAGE 12
P20CLOSE, Hallbard

sitting. Slowly. The way a mountain might sit. His back against the lens-housing. His hands on his knees. A sound coming out of him that is half a groan and half something else.

HALLBARD
…Oh. · · Oh, that's—
KRYDOGsitting on the step beside him
…I know.
P21CLOSE, Hallbard's eyes

closing. For the first time in four hundred years.

HALLBARDbarely a whisper
…Wake me if a ship comes.
KRYDOG
…No.
PAGE 13
P22CLOSE, Hallbard

asleep. Sitting up against the dark lens on the step, his great sea-foam beard on his chest, his breath slow. A giant asleep in a dark lighthouse.

…hhhhhh… hhhhhh…
P23CLOSE, Krydog

on the step beside him, his chin on his bandaged fists, wide awake in the dark. Keeping a lamp that isn't lit.

KRYDOGto himself, very quietly
…First night off in four hundred years. · · Lucky.
PAGE 14
P24THE WHITE COTTAGE, at the foot of the dark tower.

The lamp by Vaka's bed still lit (the only light on Fyren). Mingus on her feet. And Mörda, the grey woman, rising to her bare feet, her black hair floating, looking up at the dark tower through the window.

MÖRDAsoftly
…He's asleep. · · I can feel it. · Four hundred years, and he's asleep.
P25CLOSE, Mörda

turning to the sleeping girl, to the dream above her, white at all its edges now, closing in on the lantern-light at its centre.

MÖRDA
…My turn, little lamp.
PAGE 15
P26CLOSE, Mörda

lying down on the floor beside the bed, her hand on the girl's wrist, her red-rimmed eyes closing, and her body going grey and gold-stitched, threads running off her into the dream.

MÖRDAalready going
…Hold the white, dog. · · I'll be quick.
P27CLOSE, Mingus

on Vaka's feet, lifting his head, ears up, watching the dream above them. Settling his chin back down. Holding.

PAGE 16
P28WIDE, the Shallows, in the dark.

Two lashed ships drifting, no lanterns, crews flat on their decks, nobody speaking. And all round them, closer and closer, the Order's fleet: hulls looming out of the black, lantern-glow on their sides, the creak of their rigging.

DREKKa whisper
…Nobody move. · · Nobody breathe.
P29CLOSE, the Marka's rail

and a hand's-breadth beyond it, so close it could be touched, the side of a Sentinel warship sliding past in the dark, a sentry's boots on the deck above, his lantern swinging, pointed the wrong way.

PAGE 17 — THE HOOK
P30WIDE, from above, in the black.

A hundred ships of a blind fleet in a crescent, their lanterns like scattered sparks. And threading between their hulls, invisible, unlit, two small ships lashed into one, with a raw cut across the bow where a fist used to be.

P31FINAL PANEL, close on the Marka's deck.

Vigolas, flat on his belly at the rail, Aska's ember cupped in his hands so not one gleam of it shows, looking up at the sentry's swinging lantern a few feet above.

VIGOLASbarely a breath, to the ember
…Not yet.
END OF CHAPTER 337

Script edition: the pages as written, before the art.