SCALELIST UNIVERSE
Saga II · The Call · Arc 3 · Sömnen

Chapter 55

The Cabin
PAGE 1
P1INTERIOR, the cabin.

One room of rough pine logs. A table, two chairs, a bed with a patchwork quilt, snow piled against the window. And a stone hearth, cold and black, full of old grey ash.

P2MID.

On one side of the cold hearth sits Kompis, the man, in his old hoodie, slumped in a chair, his eyes half-open and grey. On the other side, in the second chair, knees drawn up, sits Mörda, watching him with her red-rimmed, never-closing eyes.

P3CLOSE, Mörda

almost gentle.

MÖRDA
It's cold in here. Why don't you ever light it?
PAGE 2
P4CLOSE, Kompis

staring at the ash.

KOMPIS
…Didn't think I'd earned it.
P5CLOSE, the floor.

Between the two chairs, a trapdoor in the floorboards. Light flickers through its cracks, orange and moving: fire. Faint, from below, a boy's voice: LILLEBROR! A crash. Then again: LILLEBROR! A crash.

P6CLOSE, Mörda.
MÖRDA
He's still running down there. He'll run forever, if you let him. It's very warm for me.
PAGE 3
P7CLOSE, Kompis

getting up slowly, every bone aching.

KOMPIS
Yeah. I know.
P8CLOSE, his hand

on the iron ring of the trapdoor.

KOMPIS
That's the thing about Subtick. It doesn't stop till it finds the version you live through.
KOMPIS
It's never going to find one.
P9ACTION.

He opens the trapdoor. Heat and orange light pour up. He climbs down into the fire.

PAGE 4 — THE LOOP
P10WIDE, the burning village.

Ash falls down. Sentinels stand frozen. The house burns. Young Kompis, eight, runs toward the doorway where a small faceless boy holds out his hand.

YOUNG KOMPIS
LILLEBROR!

The roof comes down.

P11WIDE.

It jumps back. He runs again.

YOUNG KOMPIS
LILLE—
P12CLOSE, the man Kompis

standing in the village street as his younger self runs past him for the thousandth time. He doesn't move to stop him.

PAGE 5
P13CLOSE, young Kompis

mid-stride, reaching, and a big hand catches his wrist.

P14TWO-SHOT.

The man kneels in the ash and holds the boy back by the wrist. The boy fights, wild, kicking.

YOUNG KOMPIS
Let go! LET GO! I can make it this time, I can make it, I just have to be faster—
P15CLOSE, the man

holding on.

KOMPIS
You can't.
PAGE 6
P16CLOSE, young Kompis

sobbing, still pulling toward the door.

YOUNG KOMPIS
I can! I've got Subtick, I can try it again, I can try it a thousand times—
P17CLOSE, the man

his own eyes streaming.

KOMPIS
You did. We did. A thousand times. Ten thousand. In here, every night since we were eight.
KOMPIS
There isn't a version where he lives.
PAGE 7
P18WIDE.

The roof of the burning house comes down. The doorway goes black. This time the scene does not jump back. The grey Subtick flicker starts, and the man holds the boy's wrist and doesn't let it.

P19CLOSE, the man

pulling the boy into his arms. The boy stops fighting.

KOMPIS
We can't save him. We never could.
KOMPIS
You can stop running now.
P20CLOSE, young Kompis

face buried in the man's hoodie, finally, finally crying instead of running.

PAGE 8
P21WIDE.

The burning village goes still. The fire freezes in place like a painting of fire. The ash stops falling. The loop has stopped.

P22WIDE.

Mörda drifts down into the frozen village like smoke, her shadow-horse behind her. Her face is twisted, hungry, almost frightened.

MÖRDA
What are you doing? Run. Run again. It's cold when you stop.
P23CLOSE, Kompis

still kneeling, holding his younger self, looking up at her. And for the first time he looks at her the way he looks at people: Lust-sight. Reading her soul.

PAGE 9
P24POV, Kompis's Lust-sight.

Mörda as he sees her: a thin grey figure stitched all over with threads, thousands of them, all of them borrowed, running off into other people's sleep in every direction. And one thread of her own: very old, very thin, running from her chest down into nothing, where it's been cut. Frayed. A thousand years frayed.

P25CLOSE, Kompis.
KOMPIS
…When did you last sleep?
P26CLOSE, Mörda

flinching as if struck.

MÖRDA
…What?
PAGE 10
P27CLOSE, Kompis

getting slowly to his feet with the boy holding his hand.

KOMPIS
Your thread. Your own one. Somebody cut it. A long time ago.
KOMPIS
You don't feed on nightmares because you like them. You sit by them because they're the only warm thing you can find. You can't make your own.
P28CLOSE, Mörda

her face cracking open. A thousand years of no sleep in it.

MÖRDAbarely a whisper
…I just want to dream once. Just once. I've forgotten what it's like.
PAGE 11
P29CLOSE, Kompis.

He looks at the boy. The boy looks at him, and nods.

KOMPIS
Then come upstairs.
P30WIDE.

Kompis climbs the ladder out of the frozen village into the cold cabin, the boy's hand in his. Mörda follows, slowly, like a stray cat that doesn't believe the door is really open.

PAGE 12
P31INTERIOR, the cabin.

Kompis kneels at the cold hearth. He has no flint and no match. He puts his hands in the grey ash and closes his eyes.

P32CLOSE, Kompis

eyes closed, dreaming on purpose, lucid now: building it, piece by piece, out of every warm thing he has.

KOMPISthinking
The bell on the bow. Drekk swearing at the wheel. Rougeina pretending she doesn't laugh at Vig's jokes. The lazy one snoring. Smurjan's voices arguing about soup. Ivar complaining about the weather.
P33CLOSE, the ash.

A spark. Then a flame.

PAGE 13
P34WIDE.

The hearth catches. Fire, real, warm, gold, crackling, the first warmth this cabin has ever had. The frost on the window melts. Outside, the snow keeps falling, softly, the gentle kind, the kind that's nice to watch from inside.

P35CLOSE, Kompis

going to the door. He puts his hand on the latch. Click. Unlocked from the inside.

PAGE 14
P36WIDE, the doorway, from inside.

The crew stands on the snowy step: Vigolas, Rougeina, Smurjan, Trollmage, Drekk, Vaka with her lantern. They stare at him. He stares back.

KOMPIS
…Hi.
VIGOLASvoice cracking
…Hi.
P37CLOSE, Kompis

looking past them at the vast golden dog lying across the valley, his chin on the snow and his eyes fixed on the door.

KOMPISsoftly
Come on, boy. Come inside. It's warm.
PAGE 15
P38WIDE.

The sky-sized dog shrinks as he comes, a mountain, then a house, then a horse, then just a dog: a golden retriever, eighty pounds, tail going like mad. He trots past the crew's legs through the doorway, licks Kompis's hand once, and flops down on the rug in front of the fire with a huge contented groan.

P39CLOSE, the crew in the doorway.

They don't come in. Vigolas puts out an arm to stop Drekk. This is his place. They stand on the step in the falling snow and watch through the open door.

PAGES 16–17 — SPLASH
P40SPLASH (double page). THE DREAM.

A small pine cabin. A fire burning gold in a stone hearth. Snow falling gently past the window. A golden dog asleep on the rug, paws twitching, chasing something happy. An eight-year-old boy sitting on the floor with his back against the dog, finally still.

And in the chair beside the fire, with her knees drawn up and her black hair no longer floating but simply falling around her shoulders, Mörda. Kompis has put the patchwork quilt around her.

Her red-rimmed eyes, which have been open for a thousand years, are closed. Her face is smooth and young and astonished.

Outside, across the whole valley, across the whole country of Sömnen, every Nightmare lies down in the snow, like dogs at the end of a long day, and goes still.

In the doorway, small, the crew watches. Vaka has her hand over her mouth.

PAGE 18 — THE HOOK
P41CLOSE, Kompis

sitting on the floor by the fire next to the boy, the dog's head in his lap. Peaceful. Wrecked. He turns to the boy with a tired smile.

KOMPIS
Hey. Tell me about him. What he was like. I want to—
P42CLOSE, Kompis

reaching into memory, and stopping. His face changes.

P43FINAL PANEL, close on Kompis

looking up at Vigolas in the doorway, his voice very small.

KOMPIS
…Vig.
KOMPIS
I can't see his face.
END OF CHAPTER 55

Script edition: the pages as written, before the art.