SCALELIST UNIVERSE
Saga III · The Architect War · Arc 4 · Tyngden

Chapter 105

The Risers
PAGE 1
P1WIDE, the Risers' canyon.

A long crack deep under Tyngden's crust, lit by fires. Huts of flat stone. Everywhere, people standing, bent and shaking, faces set like iron. Children practise on their knees in rows. An old man does push-ups that look like they could kill him.

P2MID, the crew

on their knees by the fire, soaked and bruised. Mor Lyft stands before them, tiny and ancient, perfectly upright, trembling only very slightly.

MOR LYFT
It took me forty years to stand. My mother never did. My grandmother died on her knees.
PAGE 2
P3CLOSE, Mor Lyft.
MOR LYFT
You want your coat back from the Heavy King. To get it you'll have to walk into his hall. On your feet.
MOR LYFT
You have nine days. After that, the Order's ship comes for the coat, and it's gone off-world forever.
P4CLOSE, Vigolas.
VIGOLAS
Forty years… in nine days.
MOR LYFT
You won't do it. · But you'll get further than anyone who didn't try.
PAGE 3
P5MID, the training ground

a flat slab of rock by the fire. Mor Lyft walks along the line of kneeling crew like a drill sergeant who is also everyone's grandmother.

MOR LYFT
First lesson. You don't fight the weight. Everyone who fights it dies on their face. You carry it. Like a child on your back.
P6CLOSE, Kompis

nodding slowly, Mingus pressed against him.

KOMPIS
…Like a dog on your lap.
MOR LYFTsquinting at Mingus
That dog weighs exactly what it weighs. Lucky thing.
PAGE 4 — TRAINING MONTAGE, DAY ONE
P7FOUR PANELS, one per crew member:

Vigolas tries to stand by punching the ground, green lightning, and the recoil slams him flat. "OW."

Rougeina practises Swapping with light things (a raindrop, a moth, a leaf) toward heavy places, again and again, landing harder each time.

Smurjan meditates, his three shadows lying flat around him like dropped coats.

Trollmage lies in a hollow in the rock with a sign beside him: TRAINING. (He's asleep.)

PAGE 5
P8CLOSE, a young Riser

a boy of about ten, bent double, shaking, staring at the sleeping troll.

RISER BOY
Why's he sleeping?
KOMPIS
It's how he trains.
RISER BOY
…Can I train like that?
MOR LYFTnot looking
No.
PAGES 6–7 — THE CLASH: SPARRING
P9ACTION, a run of fast panels.

Mor Lyft sets each of the crew against a Riser: young, wiry, bent fighters who move in short, low, perfect motions, never lifting a foot higher than they must.

Smurjan's open palm meets a Riser girl's forearm, and she leans into the weight, using it, and he's flat on his back.

Kali swings, one-armed, at a Riser man. He doesn't dodge; he lets her swing's own weight carry her past him, and taps her. She's down.

Drekk swings his axe. The Riser steps under it and lets it fall, and Drekk follows it into the dirt.

P10WIDE.

Every crew member on their back. Every Riser standing, bent and trembling, but standing.

RISER GIRL
…Your strongest people. Really?
KALIfrom the dirt
We're having a heavy day!
PAGE 8
P11CLOSE, Mor Lyft

arms folded.

MOR LYFT
You fight like people from light worlds. Big swings. Big jumps. Here, every big move is a debt. Small. Low. Precise.
P12CLOSE, Smurjan

sitting up slowly, the faint crimson scars on his skin catching the firelight.

SMURJAN
…Precise. (a long breath) We're Wrath. We're supposed to be precise.
MOR LYFT
Then why do you hit like three people arguing?
PAGE 9
P13CLOSE, Smurjan.

No answer. Behind him his three shadows lie on the rock, each pointing a slightly different way.

P14CLOSE, Kali

rising out of the flattest shadow, grumbling.

KALI
Because we are three people arguing.
PAGE 10 — NIGHT
P15WIDE, the canyon at night.

Fires low. The crew lies exhausted around one fire. Vigolas sits up alone, bare-shouldered, shivering, looking at his empty hands.

P16CLOSE, Vigolas

rubbing his shoulders where the coat used to hang.

VIGOLASquietly
…I feel light. Without it.
KOMPISawake, beside him
Isn't that good? Here?
PAGE 11
P17CLOSE, Vigolas

staring into the fire.

VIGOLAS
I've never not had something to carry. A ship. A crew. Gold in the hold. Thirty-six shards.
VIGOLAS
Without it I don't know what I am.
P18CLOSE, Kompis.
KOMPIS
You're the guy who gave it up for us. That's what you are.
VIGOLASa small laugh
…That's a terrible thing for a pirate to be.
PAGES 12–13 — SPLASH
P19SPLASH (double page). THE CANYON OF RISERS.

A wide view of the canyon at night under the crushing sky. Firelight in a long ribbon down the crack. Everywhere, standing figures: hundreds of Risers, bent double and trembling, children on their knees practising, old men holding a wall. And among them, small, the crew lies around their fire. Every one of them is trying, in the dark, to get one knee under themselves.

Far above the crack the bullet-rain falls. Far away on the surface, the squat grey shape of Tyngd's Leaden Hall, one window lit, and in it, the faint glint of a coat full of shards.

PAGE 14
P20CLOSE, Smurjan

alone at the edge of the firelight, sitting cross-legged, eyes closed.

SMURJANthinking
Mor Lyft is right. Three people arguing. Kali swings left, Bakasura bites right, we strike centre. Never at once.
SMURJANthinking
What if we… all at once.
P21CLOSE, Smurjan's chest.

Faintly, three heartbeats, out of step: ba-dum… ba-dum-ba… dum…

PAGE 15
P22CLOSE, Smurjan

opening his third eye, trying. Letting go of the reins. Letting all three souls act at once.

SMURJAN
…Together. Now.
P23ACTION.

All three shadows lift at once: Kali rises, Bakasura opens, Smurjan's palm strikes forward. For one beat, it works: three strikes, one moment, a boulder at the canyon's edge splitting in three directions—

PAGE 16 — THE HOOK
P24CLOSE, Smurjan's face

as something floods in. Behind his eyes, from the deepest shadow, Bakasura's hunger, unfiltered for the first time: endless, aching, starving. It pours into all three of them.

P25FINAL PANEL, close.

Smurjan doubled over on the rock. Kali, half out of his shadow, clutching her head and screaming. Bakasura's maw thrashing, jaws snapping at nothing. Crew and Risers running toward them.

KALIsobbing
…We can't… we can't agree… we've never agreed…
END OF CHAPTER 105

Script edition: the pages as written, before the art.