SCALELIST UNIVERSE

Chapter 128

What She Carries
PAGE 1
P1WIDE, a narrow alley

off the high terrace, ash-grey and quiet, snow not quite falling into it. The crew carries Rougeina in and lays her down against the wall. Her lips are pale. Her heart stutters.

P2CLOSE, Kompis

a hand on her chest, gold eyes wide, feeling both ends of their knot: her heart, slow and heavy, like something sitting on it.

KOMPIS
…It's not sick. It's heavy. Something's sitting on her heart.
PAGE 2
P3CLOSE, Rougeina

gasping, trying to sit up.

ROUGEINA
I'm— I'm fine. I've been— it's been skipping since the octagon. Since Katriel. It's nothing.
VIGOLAS
It's not nothing! You fell over!
P4A VOICE

tired, ordinary, from the far end of the alley:

VOICE
It's not nothing.
PAGE 3
P5WIDE.

At the end of the alley, sitting on an overturned crate as if he has always been there, is a tired, ordinary man: about forty, stubbled, in a leather coat burned at the hem and one sleeve. Hung all over him like moss on a tree, thousands of cut threads.

KVAR · RÖNNKVIST-5 · not on any board

P6CLOSE, Kvar

not getting up.

KVAR
I'm always here. You haven't been looking.
PAGE 4
P7CLOSE, Smurjan

recognising him, three shadows going still.

SMURJAN
…The ash-island. After the first battle at sea. You told us the Arena was coming.
KVAR
It came. (He looks at Rougeina.) Now something else is.
P8CLOSE, Kvar

standing up slowly, walking over and crouching beside Rougeina, looking at her with tired, kind eyes.

KVAR
How many names do you carry, assassin? That nobody else remembers?
PAGE 5
P9CLOSE, Rougeina

very still.

ROUGEINA
…Torvik. A warden-sergeant. He had a daughter who drew horses badly.
ROUGEINA
Baldr. Stillmark. Katriel. Wendlan.
P10CLOSE, Kvar.
KVAR
Five. Five people only you remember. You carry every one alone, so they're not nowhere.
KVAR
And every one weighs on your heart. Like a stone in a pocket.
PAGES 6–7 — SPLASH
P11SPLASH (double page). WHAT SHE CARRIES.

Rougeina in the ash-grey alley, drawn in two layers. Her real body, pale, against the wall. And behind her, faint as a double exposure, five figures standing around her, each one's hand resting on her heart: a warden-sergeant holding a child's drawing of a horse; a kind old man with a silver pen; a lidless man with blood tears; a woman with silver-white hair in a crown braid, wearing her own face; a lean, wind-bitten man in goggles. They aren't cruel. They're just there, and they're heavy, because nobody else in the world holds them up.

Under the spread, along the panel border, her heartbeat: ba……dum…… ba………dum……

PAGE 8
P12CLOSE, Kvar

quiet.

KVAR
Your heart has a tempo. Every fighter's does. Yours was one-twenty, give or take. Fast.
KVAR
It's one-fifteen now. One beat gone for every name. The next name, one-fourteen. And on and on.
P13CLOSE, Rougeina

white.

ROUGEINA
…The list. There are more names on the list.
KVAR
I know.
PAGE 9
P14CLOSE, Vigolas

fierce.

VIGOLAS
Then she stops. No more names. Rougeina, you stop—
ROUGEINAfierce right back
Edvar is the man who poured my mother into a dying body. I'm not stopping.
P15CLOSE, Kvar

looking between them. Then down at the thousands of cut threads hanging off himself.

KVAR
…Or. She doesn't have to carry them alone.
PAGE 10
P16CLOSE, Kvar.
KVAR
I'm what's left after. That's my whole trick. Everyone who stood next to me in every battle I ever survived: I'm still carrying a little of them. (He lifts a handful of the cut threads.) I'm used to the weight.
KVAR
I can carry some of yours. Not all. Nobody can carry all. But some.
P17CLOSE, Rougeina

staring at him.

ROUGEINA
…Then they'd be remembered by two.
KVAR
That's how it works.
PAGE 11
P18A SOUND.

Boots. The alley mouth fills with white armour: Sentinels, a dozen, collars glowing at their throats, spears down.

SENTINEL CAPTAIN
The Keeper of Collars says: nobody reaches the Routing Study uninvited. The assassin is invited. The rest of you are not.
P19CLOSE, Vigolas

standing, lightning sparking.

VIGOLAS
I'm never invited. It's never stopped me.
PAGE 12
P20CLOSE, Kvar

putting a hand on Vigolas's shoulder, gently pushing him back down.

KVAR
Sit. (He stands up.) I've got this one.
P21WIDE.

Kvar walks to the alley mouth, unarmed, tired, coat burned, threads trailing. He stands in front of twelve Sentinels.

KVAR
Go home.
PAGE 13
P22ACTION.

The Sentinels charge. Spears come at him from twelve directions. And every spear misses, just, as if the world bends a hair round him, glancing off, skidding, tangling with the next spear. A dozen soldiers stumble into each other.

P23CLOSE, Kvar

still standing in the middle of the collapsed charge, not having moved.

KVAR
I'm always the one left standing. It's not luck. It's a price. (quieter) What misses me hits whoever's next to me. That's why I stand alone.
PAGE 14
P24WIDE.

The Sentinels scramble up and back away: from an unarmed, tired man who is somehow impossible to hit. They retreat down the stair-street.

P25CLOSE, Kvar

coming back, sitting down beside Rougeina, slowly.

KVAR
Now. Give me one. Just one, to start. The one you're most afraid of forgetting.
PAGE 15
P26CLOSE, Rougeina

after a long moment, very quiet.

ROUGEINA
…Stillmark. He couldn't close his eyes for nine years. I put my hand over them so it was dark. He said thank you.
P27CLOSE, Kvar

closing his own eyes, taking it in. A new thread hangs off his coat now, among the thousands: thin, a little bloody, and tied with a gentle hand.

KVAR
…Stillmark. I've got him.
PAGE 16 — THE HOOK
P28CLOSE, Rougeina's chest.

The pulse line, a fraction steadier: ba-dum…… ba-dum…… One stone lighter.

ROUGEINAbarely
…Thank you.
P29FINAL PANEL, wide.

Rougeina on her feet again, unsteady, supported by Vigolas, looking up the last stair-street to the top of the Spine. A small wooden door with warm light under it, and from inside, high and clear and homely, a kettle, whistling.

END OF CHAPTER 128

Script edition: the pages as written, before the art.