SCALELIST UNIVERSE
Saga V · The Current · Arc 1 · Fyren

Chapter 239

The Sweep
PAGE 1
P1WIDE, the lantern room.

The great lens still turning, but its beam ragged: a bite out of its edge, the light stuttering. Natta at the lens, glowing from inside like a furnace. The crews in the doorway, their lights eaten: Vigolas's fists dull, Krydog's knuckles grey, Kompis's guns smoking without a spark.

P2CLOSE, Tihi

at the back of the doorway, small, very serious, repeating it:

TIHI
…She eats everything that shines. · So don't shine.
PAGE 2
P3CLOSE, Hallbard

hearing that. A long, slow look at the little girl. Then reaching into his oilskin and pulling out his soot-black lens-rag, four hundred years of lamp-soot, and tossing it to Rougeina.

HALLBARD
…Rub it on your blades, girl.
P4CLOSE, Rougeina's blades

eight silver-rose edges going black under the soot, dull, lightless.

ROUGEINAa grim smile
…Dark blades. · I could get used to these.
PAGE 3
P5CLOSE, Krydog

winding the bandages back round his fists, over the silver script, tight.

KRYDOG
…No shine.
P6CLOSE, Kompis

holstering four guns and drawing only Tyst: the long silent rifle, matte black, no flash, no sound, a soul who took a vow of silence.

KOMPIS
…No shine, old friend.

(Tyst says nothing. As always. Kompis could swear the gun nods.)

PAGES 4–5 — THE CLASH: IN THE DARK
P7ACTION, a run of fast panels, all drawn in near-black with only Natta's inner glow for light.

Rougeina, soot-black blades, cutting Natta's sailcloth sleeve. Natta snapping at where the shine should be, and finding none. "Where—?"

Krydog, bandaged fists, plain human strength, no silver, grabbing Natta's arms from behind and holding.

Kompis firing Tyst, silent, flashless, a shot she can't smell, pinning her black sail-rags to the lantern-room floor.

Vigolas, no lightning, just his fists, a pirate's brawl, punching her away from the lens.

P8CLOSE, Natta

sniffing wildly, turning in circles, unable to find them in the dark.

NATTApanicking
…Where are you? · You don't shine— I can't smell you—
VIGOLASsomewhere in the dark, grinning
…Turns out we're good at being unremarkable.
PAGE 6
P9CLOSE, Emma

slipping past the fight to the lens, kneeling, and drawing a chalk circle on the floor round the lamp's quicksilver bed, the whole lens inside it.

EMMAcalm, to the lamp
…Inside this, nothing gets made to go out. · Not even a light.
P10CLOSE, Natta

breaking free of Krydog and lunging for the lens, mouth open, and stopping at the chalk line as if she'd walked into glass. She can reach the light. She can't make it go out.

NATTA
…What—?
EMMA
…My circle. · You can step in. · You just can't make anything in here do anything.
PAGE 7
P11CLOSE, Natta

stepping into the circle anyway, and biting the Beam again, gulping light, but the lamp keeps burning, unmade, its light pouring back in as fast as she eats it.

NATTAmouth full of light, frantic
…Won't— go— out—
P12CLOSE, Hallbard

at the lens's brass handles, inside the circle with her. His narrowed eyes on the dark sea through the glass, where ten thousand ships have lost their threads. His face settling into something very old and very calm.

HALLBARD
…No. · It won't.
PAGE 8
P13CLOSE, Hallbard

both enormous hands on the lens's handles, to the crew, not turning round.

HALLBARD
…Every ship in the Current's lost. · One sweep won't find them all. · It'd take a hundred.
VIGOLAS
…Then do a hundred.
HALLBARD
…There's no time, son. · So I'll do them all in one.
P14CLOSE, Drekk

who has fought his way up the black stair from the jetty, bursting into the lantern room, seeing the old keeper's face, understanding.

DREKK
…The Sweep. · The whole sea in one heartbeat. · That'll take your eyes, old man.
HALLBARD
…What's left of them. · You read the Beam, sailor. · You'll be my eyes.
PAGE 9
P15CLOSE, Hallbard's heart.

A beat, gathering.

P16CLOSE, Hallbard's narrowed eyes

opening wide, all the way, for the first time, pale grey, looking into the full flame at the heart of the lens.

HALLBARDa whisper, then a foghorn
…THE SWEEP.
PAGES 10–11 — SPLASH
P17SPLASH (double page). THE SWEEP.

In one heartbeat, the Beam makes one full turn: not a slow sweep but the whole circle at once, a ring of white-gold light flashing out from Fyren across the entire Current like the ripple from a stone thrown into the sea of the world, touching every vessel at the same instant: ten thousand ships, fishing smacks, Order cutters, Wrecker skiffs, the Marka at the jetty, the Upp Igen with her gashed bow, a raft of refugees, a lone rowboat, and every one of them, in that heartbeat, getting its silver thread back: ten thousand silver lines lighting up across the dark sea at once, every one pointing home.

At the centre of the ring, the lighthouse on its black rock, and in its lantern room an old giant with his eyes wide open into the flame.

VVVVVMMMMMMMMMMMMMMM
PAGE 12
P18CLOSE, Natta

in the circle beside the lens, mouth open on the Beam as the Sweep pours through it, more light than any heart could hold, all at once, flooding down her throat. Her thin body blazing, the light under her skin going white, her chest swelling, too bright, too much.

NATTAchoking on it
…Too— much— too—
P19CLOSE, Natta's chest.

The light overflowing: pouring out of her ribs like sunlight through a cracked shutter, her heart unable to close round it. HADOM overflow. The death every full burn flirts with.

KOMPISseeing her threads blaze white
…She's going to burst—
PAGE 13
P20CLOSE, Emma

kneeling at the chalk line, one hand flat on it, eyes closed. And round everyone inside her circle, every heart, Natta's too, beating in Emma's time: steady, slow, kept.

EMMAquietly
…Not in my circle. · Inside my circle, nobody's heart overflows. · The Keeping Beat.

(A grey streak appears at her temple. One of her own heartbeats, given.)

P21ACTION.

Natta's heart held, kept in Emma's time, unable to burst. And the light, with nowhere to break her, pouring out of her mouth instead: a thousand stolen lights, every lamp, every moth, every beacon she ever ate, rushing out of her in a fountain, up through the lantern room's glass, into the night sky, scattering like sparks from a forge.

PAGE 14
P22WIDE.

Over Fyren, the night sky filling with lights: a thousand small stolen glows flying up and out, the stair-lamps, the moths' scraps of Beam, Krydog's silver, Vigolas's green, Fru Gnista's fireworks, a lifetime of a Wrecker girl's eaten beacons, drifting up like lanterns released on a festival night.

TIHIat the window, enchanted, and giggling despite everything
…Pretty.
P23CLOSE, Natta

collapsing to the lantern-room floor inside the circle, emptied, thin, dark: no glow under her skin any more, and her eyes still without light, hollow, but alive. Breathing. Kept.

NATTAvery small
…I can't see any of them. · I never could.
PAGE 15
P24CLOSE, Emma

kneeling beside her inside the circle, a hand on her thin back, the new grey streak in her own braid.

EMMA
…No. · But you're alive to not see them.
NATTAcurling up, shaking
…Why'd you keep me?
EMMA
…Because nobody in my circle gets made to die. · Not even you.
P25CLOSE, Krydog

kneeling on Natta's other side, raw-eyed, quietly.

KRYDOG
…Fall down. · Get up. · That's all there is to it, kid.
PAGE 16
P26WIDE, the Current, from far above.

Ten thousand ships on the dark sea, every one of them with its silver thread shining again, running toward home. Not one lost.

P27CLOSE, Drekk

at the lantern-room glass, staring out, tears running into his beard, reading every thread at once.

DREKKhoarse
…All of them. · Every single one. · You found every single one.
PAGE 17
P28CLOSE, Hallbard

standing at the lens, both hands still on its handles. His eyes open. And white: the pale grey gone milky, unseeing. He turns his whole body toward the sound of Drekk's voice, slowly, like a lamp turning, and his blind eyes pass right over the old sailor.

P29CLOSE, Hallbard's face

calm.

HALLBARD
…Good. · Good.
PAGE 18 — THE HOOK
P30CLOSE, Vigolas

stepping toward the old man, into the lantern room's dimness, out of the lamp's direct light.

VIGOLAS
…Hallbard? · Hallbard, it's me.
P31FINAL PANEL, close on Hallbard

his white eyes turned toward the voice and not finding it, a small sad smile in the sea-foam beard, one enormous hand lifting to gesture at the great lens behind him.

HALLBARD
…I can't see you, son. · Stand in the light.
END OF CHAPTER 239

Script edition: the pages as written, before the art.