SCALELIST UNIVERSE
Saga V · The Current · Arc 4 · The Splinterlands

Chapter 267

Shard By Shard
PAGE 1
P1DAY TWO. CLOSE, dawn, the split keel.

One gap where yesterday there was a shard. On the bark beside it, laid out neatly, the shard, and next to it a tiny pile of splinter-shavings like a signature.

JEPPSONcrouching, one eye shut, unbothered
…Nine hundred and thirty-nine. · (Fitting it back, tik.) Nine hundred and forty.
P2CLOSE, a knot in a nearby root

her face in it, sulky.

FLISA
…Doesn't that make you angry?
JEPPSON
…No. · It makes me faster. · I've fitted that one twice now.
PAGE 2
P3DAY THREE. WIDE, the bark-shelf, noon.

Barkstrippers coming over the roots again, more of them, nail-guns up. And the crew already moving, without being told, into a ring round the shipwright and his heaps: Emma at the centre chalking her own circle round Jeppson, everyone else facing out.

EMMA
…Inside! · Nobody steps on a heap!
P4ACTION, a run of small panels.

The crews fighting for the builder:

Kompis firing Lilla Ulv's wolf-cub ricochet off three roots to bonk three nail-guns out of three hands.

Smurjan's shadow pulling a stripper back by the ankle a foot from the nearest heap.

Isa, a beat late, catching a falling mallet in the air by not moving, and Tihi taking it out of the frozen moment and running off with it, giggling.

Jeppson, in the middle of it, tapping a shard home. tik. Not looking up.

PAGE 3
P5CLOSE, a stripper

cornered against the hull, yanking a chalk stick out of Jeppson's open box and throwing it at him: "DRAW something, then! Go on! Build yourself a wall!"

JEPPSONcatching it, putting it back in its felt slot, exactly
…No. · Every line I draw costs a steady day. · I've got eleven, and I've spent them.
P6CLOSE, Krydog

picking the stripper up by the apron and dropping him off the shelf into the root forest.

KRYDOG
…He's busy.
PAGE 4
P7DAY FOUR. CLOSE, the keel, afternoon.

Jeppson lying under the Marka with his right eye shut, sighting along her spine. Drekk lying on his back beside him, sighting along it too, both of them in the same pose, glaring at the same plank.

JEPPSON
…It's a hair off.
DREKK
…She steers like that.
JEPPSON
…It's a hair off.
DREKK
…It's MY hair.
P8CLOSE, a knot in the keel between their faces

and Flisa in it, delighted, looking from one to the other.

FLISAto Jeppson
…It's a hair off.
FLISAto Drekk, a beat later
…She steers like that.
DREKK AND JEPPSONtogether
…Whose side are you ON?
FLISA
…The keel's.
PAGE 5
P9DAY FIVE. CLOSE, Jeppson's hand

brushing bark-dust off the keel near the stem where the old hair-off-true plank begins. And under the dust, cut deep and square into the wood: a troll-mason's mark. A little hammer under a crooked crown.

P10CLOSE, Jeppson

going completely still, his hand flat on the mark.

JEPPSON
…Who cut this.
DREKKquiet, all the fight gone out of him
…Old Stav. · Brygdar. · Laid her keel at Glasheim. · Died at the Spine, holding a door shut over a sleeping king. · Asked the same woman to marry him every spring for sixty years.
PAGE 6
P11CLOSE, Jeppson

taking his hand off the mark slowly, as if it might be hot. Putting his plane down. Not picking it up again.

JEPPSON
…That's Stav's. · I don't touch Stav's.
DREKK
…It's a hair off.
JEPPSON
…(a long beat) …It's his hair.
P12CLOSE, Flisa

in the knot, very quiet for once, listening to two men not argue.

PAGE 7
P13DAY SIX. CLOSE, Trollmage

flat on his back on the bark-shelf under the star, hat over his face, napping, as he has been for six days straight. Flisa sitting on his chest, staring down at the hat.

FLISA
…You said Brygdar don't cut.
TROLLMAGEfrom under the hat
…Mm.
FLISA
…Then how do you get bark?
P14CLOSE, Trollmage

lifting the hat an inch, one eye open.

TROLLMAGE
…We ask. · Then we wait under the tree till he drops some. · Sometimes a week. · Sometimes a hundred years.
FLISAa long pause
…A hundred years?
TROLLMAGEhat back down
…I'm very good at waiting. · (Snoring.)
FLISAto herself, grudging
…Hm.
PAGE 8
P15DAY SEVEN. CLOSE, Öde

kneeling in her little ship's garden on the beached Marka's deck, pressing acorns into the soil, cork-oak acorns from the bark-shelf floor. Flisa watching from the rail, arms folded.

FLISA
…Those are his.
ÖDE
…He dropped them. · Should I put them back?
FLISAa long, jagged beat
…(Turning away.) …You can keep those.
P16DAY EIGHT. WIDE, night.

A big raid: strippers in the dark with hooded lanterns and nail-guns, coming up the root from three sides at once. Both crews meeting them in the dark, no chalk walls, no chalk stairs, nothing but hands and guns and lightning and a ring of people round one man and a lantern.

PAGE 9
P17ACTION.

Krydog in front of the heaps taking a nail-gun spike in the shoulder, going down, and getting up (ba-dum, ba-DUM, a thin silver ring flashing round each iris, twice), healed of it, and Rising Fist into the shooter.

KRYDOG
…UPP IGEN!
P18CLOSE, Jeppson

at the keel, tapping a shard home in the lantern-light while the fight roars round his circle. tik. Hands steady. Face wet.

JEPPSONbarely audible
…Nine hundred and four. · Nine hundred and five.
PAGES 10–11 — SPLASH
P19SPLASH (double page). ELEVEN NIGHTS.

One picture, eleven times: the same view of the bark-shelf at night, drawn as a grid of eleven panels across both pages, the Marka's keel closing a little more in each. The heaps shrinking. The stars wheeling. And in every one, the same two figures by the same lantern: a wiry man fitting bark by hand, and a big bandaged man sitting beside him with two mugs, awake.

Small balloons drift through the eleven nights:

KRYDOGnight 2
…What's the number?
JEPPSON
…Of nights you owe? · Four thousand one hundred and six. · And an afternoon.
KRYDOGnight 5
…Why a birdhouse?
JEPPSON
…I was seven. · It's still up.
KRYDOGnight 8, bleeding from the shoulder
…You could chalk this in a minute.
JEPPSON
…And it'd fall down in an hour.
KRYDOGnight 10
…She stopped pulling them out.
JEPPSONa long beat
…I know.
PAGE 12
P20DAY TEN. CLOSE, dawn, the keel.

No gap. No shard on the bark. No shavings. For the first time in ten mornings, she took nothing.

JEPPSONcrouching, frowning
…Nine hundred and thirty-nine fitted. · One to go. · And she didn't take one.
P21CLOSE, Kompis

passing, stopping, his eyes going gold, looking at the half-whole ship. In his sight, every glint in the rebuilt hull pulled tight, like a thousand bowstrings drawn at once.

KOMPIS
…She's not stopping, Jepp. · She's waiting.
PAGE 13
P22CLOSE, Flisa

sitting high on a root above the shelf, alone, Kvist in her lap, her knot-eyes on the ship.

FLISAto the fox, very low
…A ship in heaps is just bark. · You can't take a heap home. · · But a ship… · a ship's one thing.
P23CLOSE, Kvist

looking up at her with yellow eyes. Flisa scratching her ears.

FLISA
…One more day.
PAGE 14
P24DAY ELEVEN. WIDE, dusk.

Every crew member on the shelf, still, watching. Jeppson at the stem, holding the last shard in both hands. Krydog behind him with a hand flat on his back, holding him up.

P25CLOSE, Jeppson's hands

fitting the last piece of bark into the last hole in the Marka's keel. Perfect. Every edge meeting its edge. One tap of the mallet.

…tik.
PAGE 15
P26WIDE.

The Marka, whole. Beached on her bark-shelf under the fixed star, her keel sealed stem to stern, nine hundred and forty pieces of her own broken bark back in the order they came out. Not one sliver new. Not one sliver off the tree.

And the crews roaring: Vigolas on the rail, Tihi cartwheeling, Roffe crying into his ladle, Svala doing loops round the mast.

P27CLOSE, Drekk

walking slowly to his ship and laying both hands on her hull, his forehead against her, eyes shut.

DREKKbarely a whisper
…There you are.
PAGE 16
P28CLOSE, Jeppson

sliding down the keel to sit in the bark-dust, his legs gone, his hands curled and raw. Krydog sitting down next to him.

JEPPSON
…Eleven days. · By hand. · (A long breath.) …Entry one thousand and forty-nine.
KRYDOG
…Go to sleep, Jepp.
JEPPSON
…You go to sleep.
KRYDOGgrinning
…Never.
P29CLOSE, Mingus

padding up and lying down across the shipwright's feet like a warm rug.

PAGE 17
P30WIDE, night, the hold.

The newly whole Marka floated back off the shelf into a root-harbour, moored. Everyone asleep on deck. Below, in the dark hold, the new keel. A knot in it.

And Flisa stepping out of the knot, very slowly, into the dark.

PAGE 18 — THE HOOK
P31CLOSE, Flisa

standing in the middle of the hold, her hand flat on the new keel, exactly like Jeppson's. Her eyes closed, for once, or almost: her knot-eyes dark. Listening.

FLISAvery soft
…Every plank. · Every rib. · Every one of you, in one piece. · · Good.
P32FINAL PANEL, wide, cutaway, the Marka and the Upp Igen moored side by side in the dark root-harbour.

In both hulls, in every plank, every rib, every one of the Upp Igen's eleven thousand fallen-bark scraps, every gold glint lighting at once, thousands and thousands of tiny lights, like two ships full of stars.

FLISA
…Now.
END OF CHAPTER 267

Script edition: the pages as written, before the art.