SCALELIST UNIVERSE
Saga V · The Current · Arc 4 · The Splinterlands

Chapter 268

The Rivet Beat
PAGE 1
P1WIDE, night, the root-harbour.

The Marka and the Upp Igen moored side by side in black water between two great roots. Both crews asleep on deck. And in both hulls, through every plank, a faint gold light, as if each ship had swallowed a sky.

P2CLOSE, the Marka's hold.

Flisa standing at the new keel, both palms flat on the wood. Over her heart, where a sin-mark would be on anyone else, a burl: a swollen knot in her bark, glowing sap-gold, brighter and brighter.

FLISAa whisper
…One beat. · Everywhere.
PAGE 2
P3CLOSE, Flisa's burl

blazing. Her heart beating once, and the beat splitting: drawn as one big ba-DUM shattering into thousands of tiny dums flying off in every direction like sparks.

ba-DUM — dum dum dum dum dum dumdumdumdum
FLISA
…SPLINTER-PULSE.
P4A GRID OF TINY PANELS, cutaway.

In every plank, every rib, every rail and spar of both ships, the same thing: a gold glint swelling, a splinter thickening, the wood round it cracking outward.

krk krk krk krkrkrkrkrkrk
PAGE 3
P5WIDE, the Marka's deck.

The crew waking in a heap as the deck heaves under them, every plank bowing up, seams opening, the mast groaning. Drekk lunging for a wheel that's cracking in his hands.

DREKK
…NOT AGAIN!
P6CLOSE, the Upp Igen's rail.

Krydog on his feet, staring down at his own ship: the eleven thousand fallen-bark scraps of her mosaic sheathing lifting, every one, like scales on a fish about to be gutted.

KRYDOG
…She's in ours too! · She's in OURS!
PAGE 4
P7CLOSE, Kompis

eyes gold, reading it: every thread in both ships pulled tight as wire, every splinter half-swollen, waiting.

KOMPISshouting
…They haven't split yet! · It takes her two beats! · The split lands on her NEXT one!
VIGOLAS
…How long's a beat?
KOMPIS
…One!
P8CLOSE, Vigolas's sash.

The bark cube with her squashed face in it shaking and glowing, a splinter trying to swell and folded too tight to do it.

FLISAmuffled, furious, from the cube
…Ow.
PAGE 5
P9CLOSE, Jeppson

asleep by the Marka's stem with Mingus across his feet, waking to the sound of the wood. One eye opening. And understanding all of it, in one look.

JEPPSONvery quiet
…Everything I ever made. · In one beat.
P10CLOSE, Krydog

landing on the Marka's deck beside him in one jump from the other ship, grabbing his shoulders.

KRYDOG
…Can you?
JEPPSON
…I've never done it with— · There's a thousand and forty-nine of them, Krydog.
PAGE 6
P11CLOSE, Jeppson

kneeling on the bowing deck, eyes shut, his forearms coming up, the violet ruler-ticks along them, wrist to elbow, starting to glow, one numeral after another.

JEPPSONthrough his teeth
…Rivet. · Rivet. · Hold all of it—
P12INSIDE JEPPSON'S HEAD, drawn as a book flying apart.

The Book of Works, oilcloth cover open, pages tearing loose and whirling round him in a storm: ENTRY 1 · BIRDHOUSE. ENTRY 611 · UPP IGEN. ENTRY 802 · ROFFE'S LONG TABLE. ENTRY 1,049 · MARKA (REBUILT). A thousand pages, each one separate, each one its own thing.

JEPPSONsmall, inside the storm
…There's too many—
PAGE 7
P13CLOSE, Jeppson's chest.

A thin crack of violet light opening over his heart. His heart trying to count a thousand things in one beat, and overflowing.

ba-ba-ba-ba—
P14CLOSE, Emma

skidding across the bowing deck on her knees, chalk out, ash staff down, drawing a circle round him in one sweep.

EMMA
…Inside! · Inside my circle nobody's heart overflows— The Keeping Beat!
thum… thum…
PAGE 8
P15CLOSE, the crack over Jeppson's heart

held: not closing, not opening, the violet light trembling behind Emma's circle.

EMMAwhite, holding it
…I can keep your heart, Jepp. · I can't keep your ship. · That's yours.
P16CLOSE, Krydog

kneeling in the circle, his bandaged hands on either side of Jeppson's chalky head, forehead to forehead. Not shouting. Very calm, the calmest he's ever been.

KRYDOG
…Stop counting.
JEPPSON
…I can't—
KRYDOG
…Entry one. · The birdhouse. · Start there. · · Where's the birdhouse?
JEPPSONa whimper
…In the Book.
KRYDOG
…Where's the Book?
JEPPSONa long, shaking breath
…Under my head.
KRYDOG
…Then it's one book, isn't it?
PAGES 9–10 — SPLASH
P17SPLASH (double page). THE RIVET BEAT.

Inside his head: the whirling pages slamming back into the Book of Works, all of them, a thousand and forty-nine, and the oilcloth cover shutting: one book, one picture.

And outside, the same moment: both ships, the Marka and the Upp Igen, side by side in the root-harbour, every plank, every rib, every scrap and rail and spar blazing with violet ruler-ticks along every edge, as if a giant had measured them all at once. Rigid. Locked. Every half-swollen splinter in them stopped, crushed flat in the grain, the wood holding round it like a fist.

And in the middle of it, in a chalk circle on the deck, a wiry man with his forearms blazing violet to the elbow, and a big man holding his head.

TOK.
PAGE 11
P18CLOSE, the hold, the same beat.

Flisa's second heartbeat landing: the Swell finishing in ten thousand splinters at once, and breaking against wood that won't give. Gold light shattering off violet ticks. Flisa thrown backward off the keel by her own pulse, slamming into the bilge.

KRRRRK— (and then, flat) …tk.
P19A RUN OF SMALL PANELS, far away, the same beat.

Everything he ever made, locking:

On Glasheim's lowest terrace, an old birdhouse, rain-grey, every joint blazing violet for one beat. A sparrow inside it blinking.

On the Upp Igen, Roffe's Long Table, rigid as iron under Roffe's sleeping head.

A dog-bed, empty on the Upp Igen's deck, glowing.

A small chalk-white stair, somewhere at the Examination Docks, nobody on it.

PAGE 12
P20WIDE, the root-harbour.

The violet ticks fading off both ships like breath off glass. And every plank, every rib, whole. Not a crack. Not a split. Two ships floating quietly in black water, exactly as they were.

P21CLOSE, Drekk

at the wheel, his hands on spokes that aren't cracked any more, staring.

DREKKhoarse
…Huh.
PAGE 13
P22CLOSE, Jeppson

in Emma's circle, the crack over his heart closed, breathing hard, his forearms dark again. And his hands locked: two fists, white-knuckled, clenched shut so hard they tremble, that won't open.

JEPPSONlooking at them, grimly
…Hm. · An hour. · No pencil for an hour.
P23CLOSE, Krydog

sitting back on his heels, laughing, wiping his eyes with a bandaged wrist.

KRYDOG
…One book.
JEPPSON
…One book. · (A long beat.) …You knew where I keep it.
KRYDOG
…I've watched you sleep on it for six years, Jepp. · Somebody's got to.
PAGE 14
P24WIDE, the hold.

Vigolas, Kompis and Mingus coming down the ladder with a lantern. And in the bilge at the bottom, against the whole, unbroken keel, Flisa, sitting in the water with her knees up. Smaller. A fingernail's height smaller than she was this morning, the jagged edges of her bark chipped, sap running out of the cracks like amber blood.

P25CLOSE, Flisa

staring at the keel she couldn't break. Her splinter-teeth chattering.

FLISAbarely audible
…I put everything in that. · Every splinter. · Every one.
PAGE 15
P26CLOSE, Vigolas

crouching at the bottom of the ladder, not coming closer. The bark cube in his sash quiet now.

VIGOLAS
…You all right?
FLISAsnapping, jagged
…Don't talk to me. · You folded me.
P27CLOSE, Mingus

walking straight past Vigolas through the bilge-water, and lying down beside her against the keel. As he did for two sagas. Not looking at her. Just there.

FLISAnot looking at the dog either
…(a long beat) …Traitor.

(She doesn't move away.)

PAGE 16
P28CLOSE, the ladder.

Jeppson coming down it awkwardly, one rung at a time, using his wrists and elbows, his fists locked shut against his chest. Krydog behind him, steadying him.

JEPPSON
…Move, captain. · Mind the dog.
P29CLOSE, Jeppson

sitting down heavily in the bilge on Flisa's other side, his back against the keel, his locked fists in his lap. Looking at her, one eye shut, measuring.

JEPPSON
…I can't hold a pencil for an hour. · So I can't draw. · · I'll read to you instead.
FLISA
…Read what?
PAGE 17 — THE HOOK
P30CLOSE, Jeppson

laying one locked fist against the first plank of the keel, at the stem, the way a doctor lays a hand on a chest. Eyes shut. Listening to the wood the way she does.

JEPPSON
…The grain.
P31FINAL PANEL, close on the plank under his knuckles.

The long lines of cork-oak grain running along it, and at the end of it, where the bark once met the tree, a smooth, ragged edge with no tool-mark on it at all.

JEPPSON
…Plank one. · No axe.
END OF CHAPTER 268

Script edition: the pages as written, before the art.