SCALELIST UNIVERSE
Saga V · The Current · Arc 4 · The Splinterlands

Chapter 269

The Grain
PAGE 1
P1WIDE, the hold, by lantern-light.

The bottom of the Marka's whole keel. Jeppson sitting against it with his fists locked in his lap. Flisa on his other side in the bilge, knees up, Mingus lying against her. Vigolas and Kompis on the ladder, very quiet.

P2CLOSE, Jeppson's locked fist

laid against the first plank at the stem, knuckles to the wood. His right eye shut. Listening.

JEPPSON
…Plank one. · No axe. · No saw at the root end. · Smooth. · It fell.
PAGE 2
P3CLOSE, Flisa

scornful.

FLISA
…You can't know that.
JEPPSON
…I've read bark for twenty years. · Cut bark carries the tool. Every time. · A saw leaves teeth. An axe leaves a bite. A draw-knife leaves a curl. · This one's got nothing. · Put your ear on it.
P4CLOSE, Flisa

a long beat, then, grudging, leaning over and laying the side of her carved face flat against plank one. Her knot-eyes going dark as she listens through the wood.

…hmmmmmm…
PAGE 3
P5CLOSE, Jeppson

shuffling along the keel on his backside, fist to the next plank.

JEPPSON
…Plank two. · No axe. · It fell.
P6A RUN OF SMALL PANELS.

Jeppson moving down the keel, fist to plank after plank, Flisa crawling alongside him, ear to the wood after him every time.

JEPPSON
…Seven. It fell. · …Twelve. It fell. · …Forty. Cracked once, mended by a troll. It fell. · …Ninety-one. It fell.
PAGE 4
P7CLOSE, the ladder.

More of the crew on it now, sitting on the rungs in a quiet stack: Drekk, Öde, Svala, Trollmage yawning at the top. Nobody talking.

TROLLMAGEa whisper
…Told you.
DREKKa whisper
…Shh.
P8CLOSE, Flisa

ear to plank two hundred and something, and her lips moving now with his. She's started saying it too.

JEPPSON AND FLISA
…It fell.
PAGE 5
P9CLOSE, Jeppson

deep in the stern now, the lantern low, his fist on another plank. Sweat on his chalky forehead. Voice hoarse.

JEPPSON
…Nine hundred and thirty-eight. · It fell. · Nine hundred and thirty-nine. · It fell.
P10CLOSE, Jeppson's fist

on the last plank. The one by the water-barrels. The one with the knot that weeps. And he goes still.

PAGE 6
P11CLOSE, the plank's root end

where the bark once met the tree: not smooth. Teeth-marks: the bite of a saw, fine and even, and above them the deep notch of an axe. And burned faintly into the inside face, half worn away: BARK-YARD · GLASHEIM · ORDER STOCK.

JEPPSONvery quietly
…This one was cut.
P12CLOSE, Flisa

putting her hand flat on it. Not angry. Tired.

FLISA
…That one's mine. · That's where I came in.
PAGE 7
P13CLOSE, Drekk

on the ladder, closing his eyes.

DREKK
…Stav was one plank short. · The trees hadn't dropped enough that year. · The yard at Glasheim had one, and he paid for it, and he hated it. · Said he'd change it for a fallen one the day the tree dropped a better. · · He never got the chance.
P14CLOSE, Flisa

her hand on the cut plank.

FLISA
…So you're thieves for one plank.
JEPPSON
…One in nine hundred and forty.
FLISA
…(a long beat) …Hm.
PAGE 8
P15CLOSE, Kompis

coming down off the ladder to crouch near her, eyes soft.

KOMPIS
…How long have you been doing this? · Being everywhere.
FLISAnot looking at him
…Since the first strip.
P16CLOSE, Flisa

picking her gums, eyes far away.

FLISA
…First strip they ever took off him. · Right where his root comes into your world. · Men with iron knives. · He bled. · And I grew out of the scar.
PAGES 9–10 — SPLASH
P17SPLASH (double page). THE FIRST STRIP.

A thousand years ago. The Great Root of the Splinterlands, a cliff of living cork-oak at the edge of the sea, unscarred, enormous, beautiful. On it, tiny against it, a gang of men with iron knives, and the first long strip of bark tearing away from the living wood in their hands, pale heartwood bared beneath, sap pouring down the root like amber blood.

And out of the fresh wound, unfolding, a girl: tall as a soldier, 1.80 m of bark and shard, sharp-chinned, a crown of shavings, knot-holes for eyes with gold deep inside them, her first breath a scream. The men dropping their knives and running.

FLISAnarrating, small, in a corner box
…I was tall, then.
PAGE 11
P18CLOSE, Flisa

in the present, looking down at her own small jagged hands.

FLISA
…I seeded myself into everything after that. · Every root. Every door they cut from him. Every ship. · So nobody could hurt him without me knowing. · · Every splinter's a piece of me. · I've left a lot.
P19CLOSE, Jeppson

one eye open, measuring her the way he measures everything.

JEPPSON
…You were one-eighty. · You're about one-oh-nine.
FLISAa jagged snap
…Don't you dare say anything.
PAGE 12
P20CLOSE, Mingus

lifting his big golden head and putting it, with great dignity, in her lap. Looking up at her with warm brown eyes.

P21CLOSE, Flisa

frozen, her hands up off the dog, hovering, splinter-fingers spread. Not knowing what to do with them.

FLISAsmall
…I can't. · If I touch him I'll leave a splinter in him.
KOMPIS
…Try.
PAGE 13
P22CLOSE, Flisa's hand

very slowly, coming down on the golden fur behind Mingus's ear. Scratching once, awkwardly, like someone who has read about it.

P23CLOSE, the dog's fur

where her hand was. A tiny gold-glinting splinter of her caught in it, and then sliding out, on its own, as if the fur just wouldn't keep it, and dropping to the bilge. And climbing back up into her palm.

…tk.
PAGE 14
P24CLOSE, Flisa

staring at her palm, at the splinter back in it.

FLISA
…It didn't stay.
KOMPIS
…Nothing holds him. · Not chalk, not chains, not splinters. · · You can touch him as much as you like. · It won't cost you anything.
P25CLOSE, Flisa

a thousand years old and one metre nine, both hands buried in a golden retriever's neck, face pressed into his fur, shaking. Mingus thumping his tail on the bilge.

FLISAmuffled
…Stupid dog. · Stupid, stupid dog.
PAGE 15
P26CLOSE, Vigolas

on the bottom rung, watching. The bark cube in his sash, her squashed face in it, asleep.

VIGOLAS
…So. · Are we still at war?
P27CLOSE, Flisa

lifting her face out of the fur, eyes hard again, but not as hard.

FLISA
…The grain says he dropped you. · That doesn't mean you're good. · It means he likes you. · · I'll decide about you later.
PAGE 16
P28WIDE, the deck, dawn.

The crew coming up out of the hold into grey light. Jeppson flexing his hands, which have just come unlocked, wincing. The root-harbour silent. Too silent.

P29CLOSE, Flisa

last up the ladder, stopping on the top rung. Her head turning. Her knot-eyes going dark, the way they do when she listens through the roots. Every gold glint in the harbour roots flickering.

FLISAbarely audible
…No.
PAGE 17 — THE HOOK
P30WIDE, the Splinterlands.

From every root, every arch, every hollow, root foxes pouring out into the dawn, hundreds of them, red streaks of fur, all running the same way: away. And every one of them, as it runs, throwing back its head and howling.

AWOOOOOOOOOO
P31FINAL PANEL, wide, the horizon.

Far across the root forest, a whole root-tree, a tower of living cork-oak as tall as a lighthouse, toppling, slowly, and going down, branch by branch, trunk and all, into a mouth. A dark shape at the foot of it, chewing.

FLISAwhite as split pine
…He's here.
END OF CHAPTER 269

Script edition: the pages as written, before the art.