SCALELIST UNIVERSE
Saga III · The Architect War · Arc 2 · The Gate Yard

Chapter 86

Transit Closed
PAGE 1
P1WIDE, a market town on a fjord in the Prime, the third morning after the Bloom.

Fish stalls, bunting, gulls, and at the end of the harbour a stone arch with a realm-gate inside it: a ring of folded light, shimmering like heat over a road. And all across the market, sparks of seven colours are going off like firecrackers.

P2ACTION, a strip of quick panels.

A blacksmith with a fresh crimson mark on his wrist taps a horseshoe, and his anvil splits clean in two. He stares at his hammer.

An old fisherwoman's hands glow amber. A whole basket of herring has vanished into them, and she has never felt so full in her life.

A girl yawns, a violet hourglass on the back of her hand, and the whole stall around her slows to a crawl. A dropped apple falls like a feather.

A small boy with a rose ribbon curling up his arm stares at the baker, and suddenly he has the baker's enormous moustache.

PAGE 2
P3MID, a Trisdel Sentinel

standing on a barrel, white armour, faceless helm, holding up a counting-slate whose numbers spin uselessly.

SENTINEL
STAY WHERE YOU ARE! Everybody stay where you are until you've been counted!
CROWD
My sister's in Codexia! / I want to go home! / What's happening to us?!
P4WIDE.

The crowd breaks and surges toward the stone arch and its shimmering gate: mothers dragging children, sailors, a troll carter with a cart of cabbages, an old man with a glowing amber cane. Everyone who woke up different is running for home.

PAGE 3
P5CUT. WIDE, the Council Hall in Glasheim.

The glass floor with clouds drifting beneath it, the ring of twelve chairs under the frieze with its black bar. Nine Signets glow white on nine hands. The Third and the Sixth chairs sit dark, each with a dark Signet on its seat and a blank nameplate above. The Twelfth is empty, a lit Signet hanging over it.

P6CLOSE, the Eighth Chair.

Nobody sits in it. Standing on its seat is a small white iron frame, the size of a hand mirror, and through it blows a steady wind: blue sky, a scatter of chalk dust, and a lean, sunburned face pressed close to the opening, wild grey hair whipping, brass goggles pushed up on his forehead.

WENDLAN · K-V ARCHITECT · Architect Eight, Keeper of the Gates

WENDLAN
Morning, all. Sorry. Can't think in rooms.
PAGE 4
P7CLOSE, the Tenth Chair

broad and grey-bearded, a scar across his face, his tower-shield leaning against the arm of his chair.

TENTH CHAIR
Half the world woke up with a sin nobody gave it. The other half is running for the gates.
A VOICE FROM THE RING
Then the gates close. Every one. Until every new mark is counted.
P8CLOSE, the glass floor.

One by one, Signets light up on the glass like lamps being lit down a street. One. Two. Three. Four. Five. Six. Seven.

P9CLOSE, the little frame on the Eighth Chair

the wind still blowing out of it.

WENDLAN
Righto.
PAGE 5
P10WIDE: THE GATE YARD.

The highest terrace of Glasheim, open to the sky, above a sea of cloud. A round floor of white stone, and standing on it in rows, like an orchard of empty doorways, dozens of upright white iron frames. Through each one shows a different sky: crimson stars over black, violet light over golden spires, a slow grey river, three suns in a void-black sky, a white so bright it hurts to look at. A long workbench covered in chalk, folding rulers and hinges. At the terrace's edge stands one frame bigger than a ship's mainsail, and through it, far below, glitters the starlit sea of the Current.

Every lawful crossing between the nine realms passes through a frame built here.
P11MID, Wendlan

stepping back from a hand-sized frame on his workbench, the partner of the one on his chair. Lean and wind-bitten, sleeves rolled to the elbow, a tool belt slung over his white robe, chalk dust to the wrists. He takes a long, happy breath of wind.

WENDLAN
Ahh. That's better.
PAGE 6
P12CUT, the market town.

A teenage boy, a fresh crimson mark crackling on his neck, sprints through the crowd with two Sentinels behind him, straight for the stone arch.

SENTINEL
Stop! You're not counted—
P13CUT, the Gate Yard.

Wendlan, not even looking up from the hinge he's oiling, lifts two fingers and draws a small rectangle in the air.

P14ACTION, the market town.

The boy dives headfirst into the shimmering gate, and comes flying out of a white iron frame that has just unfolded, section by section like a carpenter's ruler, in the square behind the Sentinels. He lands right in their arms.

WENDLANa small balloon, far away
Sorry, lad. Transit's closed.
PAGE 7
P15WIDE, the Gate Yard.

Wendlan walks out into the middle of his terrace, the wind roaring around him, coat-tails and grey hair streaming. He cracks his knuckles and lifts both hands, like a man about to conduct a choir.

WENDLAN
Right, my lovelies.
WENDLAN
Everybody shut.
PAGES 8–9 — SPLASH
P16SPLASH (double page). TRANSIT CLOSED.

Every gate in nine realms clamps shut at once.

A montage across the spread, all the same instant: out on the Current, the great rings of folded starlight that lead into the realms each get a frame of white iron slammed down over them like a portcullis. In a violet city of libraries, a gate in a square snaps shut in front of a running scholar. In a city of mirrors under crimson stars, a frame drops across a bridge. In the slow grey country of the dead, a ferry stops at a closed door. On a crossroads island where twelve roads meet, every road is suddenly barred by a white frame, and the signposts rattle.

And everywhere, crowds stopped dead in front of white iron, hands glowing in seven colours, faces turned up.

At the centre of the spread stands Wendlan in his Yard, arms raised in the roaring wind, and every frame around him slamming shut in a ring of white.

PAGE 10
P17WIDE, the Current, two days out from Astralis.

The Marka under full sail on the sea of moving starlight, the Kettle's bell gleaming at her bow.

P18MID, the deck.

Kompis sits on a crate cleaning Lilla Ulv, Mingus snoring across his feet, Ivar's little box tied at his hip. The pistol hasn't stopped talking in two days.

LILLA ULVsoul-text
—and then the shiny lady went POOF and you got your gold back and i could SEE you again and kompis are you listening, kompis—
KOMPIS
Every word, little one.
PAGE 11
P19MID, the rail.

Drekk, in his bell-rope mask, holds one end of a length of rope. Vigolas holds the other, tongue between his teeth, fumbling.

DREKK
Rabbit comes out of the hole. Round the tree. Back down the hole.
VIGOLAS
That's not how Hild said it.
DREKK
Who?
P20CLOSE, Vigolas

grinning, his fingers going to the thin braid behind his left ear, tied with a scrap of faded red sailcloth.

VIGOLAS
Hild. My first captain. "The eel comes out of the rock. Round the anchor. Back in the rock." She said rabbits were for farmers.
PAGE 12
P21INSET, memory, warm and rain-washed.

A dock in a downpour. A skinny six-year-old boy with wild black hair is stealing an apple off a barrow. A huge tarred hand closes on his collar and lifts him off the ground. Above him looms a broad woman in a salt-stiff sea-coat, two grey braids, a gap in her front teeth, and a face like a walnut that laughed: brown, deep-lined, every line made by grinning. Behind her a ship rides at anchor under red sails.

HILD
You steal like a sailor, boy. Want to be one?
P22INSET.

The same woman kneeling on a rolling deck, tearing a strip off a red sail and tying it into the boy's hair while he stares up at her.

HILD
There. Now you're crew.
P23CLOSE, Vigolas at the rail, now

rubbing the faded red scrap between finger and thumb.

VIGOLAS
Six years old. Best day of my life, and I'd only stolen an apple.
PAGE 13
P24TWO-SHOT, Vigolas and Drekk.
DREKK
What was she like?
VIGOLAS
Big. Loud. Tar on her hands, always. A face like a walnut that laughed.
VIGOLAS
She had one rule. Just one. "Nobody gets left on the wrong side of the rail."
P25CLOSE, Vigolas

the grin fading. For a moment he's looking out at a wave that isn't there.

VIGOLASquietly
…I broke it, once.
P26CLOSE, Drekk

pushing the rope back into his captain's hands.

DREKK
Then tie the knot, captain.
P27CLOSE, Vigolas's hands.

The eel comes out of the rock, round the anchor, back in the rock. A perfect bowline. He holds it up over his head like a prize fish.

VIGOLAS
HA!
PAGE 14
P28WIDE, ahead of the bow.

The realm-gate home: a great ring of folded starlight standing in the Current, the way to the Prime, to Brygdar, to the troll shipyard. But it's wrong. A colossal white iron frame has clamped down over it like a portcullis. Beside it, on a black rock, squats a white stone fort: a gate-station. And in front of it bob dozens of small boats (fishing smacks, rafts, an old ferry) packed with people whose wrists and hands and necks glow in seven colours. A fence of chains of light holds them back.

TROLLMAGEsitting up out of a coil of rope, the crow on his head
Mm. Are we home? Wake me when we're home.
DREKK
We're not home.
P29CLOSE, a painted board

bolted to the white iron:

TRANSIT CLOSED · BY ORDER OF THE COUNCIL · NOTHING CROSSES

PAGE 15
P30MID, the fort's walls.

Gate-wardens in white, each with a hammer and a bundle of long glowing stakes, and on the gatehouse a warden-captain with a speaking-horn.

RANK PLATE ×6: GATE-WARDEN · K-II MARKED

WARDEN-CAPTAIN
Bark-hull! Come about! Nothing crosses!
P31CLOSE, Vigolas

on the bowsprit, the grin back, green sparks crawling over his knuckles.

VIGOLAS
Then we'll knock.
P32ACTION, a run of fast panels.

Smurjan steps from the bowsprit onto the fort's water-stairs and walks straight up them through a rain of spears, each one missing him by half an inch.

Kali bursts out of his shadow and cuts the chain-fence of light with her black-glass sickle. The people in the boats cheer.

Vigolas's green-lightning fist knocks two wardens clean off the battlement into the sea.

Rougeina Swaps with a gull, blink, onto the battlement, her panther a shadow behind her, and a warden's hammer drives a stake into the stone at her feet: TANG. Frost-lines spread across the stone. Her next Swap fizzles.

ROUGEINA
…These again.
PAGE 16
P33MID, the Marka's bow.

Kompis, Mingus planted at his heel, levels Lilla Ulv at the warden-captain, who is raising his hammer to drive a second stake beside Rougeina.

KOMPIS
Little one. The hammer.
LILLA ULV
the hammer!!
P34ACTION.

He fires. The bullet is a wolf cub of light, bounding off the water toward the hammer, and right in its path a tiny white frame, no bigger than a hand, unfolds in the air like a carpenter's ruler. The cub runs straight into it.

P35CLOSE, behind Kompis's head.

A second tiny frame, unfolding. The wolf cub of light comes leaping out of it, teeth first, straight at the back of his skull.

P36GREY WORLD.

Subtick. The golden pulse line runs along the bottom of the panel, ba-dum. The cub hangs frozen an inch from his hood. Kompis lives it again and again: he ducks left and it follows him, he ducks right and it follows him, he turns and it takes him in the eye. Then, in one version, Mingus barks and he drops flat, and the cub sails over him, straight into the warden who has come creeping up the bow-ladder behind him with a stake.

PAGE 17 — THE HOOK
P37ACTION.

Colour snaps back. WOOF! Kompis drops flat. The wolf cub sails over him and bonks the creeping warden off the ladder into the sea.

LILLA ULVoutraged
i went in the little door and came out BEHIND you! that's NOT FAIR!
KOMPISface down on the deck, nose bleeding
…No. It isn't.
P38WIDE.

Silence across the whole station. On the walls, on the water, in the air, white frames are unfolding by the dozen, little ones and big ones, one on the Marka's own mast, and in every one of them is the same face: wind-bitten, grey hair blowing in a wind from somewhere else, goggles up, a smear of chalk on one cheek.

WENDLANfrom every frame at once
Nothing personal. You've just been very rude to my network.
P39CLOSE.

All the faces turn together to the battlement: to Rougeina. In one frame his hand comes into view, scratching his forearm like a man with a mosquito bite.

WENDLAN
And you. All your life you've been itching me.
P40FINAL PANEL, close on Rougeina

very still on the battlement, eight blades in her hands, a hundred Wendlans looking at her.

WENDLAN
Hello, itch.
END OF CHAPTER 86

Script edition: the pages as written, before the art.