SCALELIST UNIVERSE
Saga III · The Architect War · Arc 2 · The Gate Yard

Chapter 91

A Door Both Ways
PAGE 1
P1WIDE, the Gate Yard at night.

Stars above, a moonlit sea of cloud below, the orchard of frames glowing softly, each with a different night sky inside it. Wendlan sits on the edge of his workbench, his left hand a mess of splints: little finger, ring finger, wrist. Veyra kneels beside him, binding it with clean linen. Her crystal gauntlets lie on the bench beside her; for the first time we see her bare hands, broad and scarred, a warden's hands.

P2TWO-SHOT.
VEYRA
Fold the network for one night, sir. Let it stop hurting.
WENDLAN
Fold my doors?
WENDLAN
I'd sooner fold my lungs.
PAGE 2
P3CLOSE, Wendlan

looking out over his frames, the wind in his grey hair, and for once he isn't smiling.

WENDLAN
First frame I ever built, a fisherman's girl walked through it and hugged her dad on the far side of the world. Didn't even look back at me. Just ran.
WENDLAN
That's what a door's for.
P4CLOSE, Veyra.
VEYRA
Then why are they locked?
P5CLOSE, Wendlan.

A long pause.

WENDLAN
Because seven Signets lit.
WENDLAN
…And because the world woke up wild, and I don't know what's walking through my doors any more.
PAGE 3
P6CLOSE, Veyra

tying off the bandage.

VEYRA
He has to touch me. That's his rule.
WENDLAN
Then stand where nobody can walk.
P7WIDE, the centre of the Yard.

A lone stone pillar, waist-high, and around it, standing in a tight ring like the petals of a flower, a dozen open frames, each showing a different sky. Between the pillar and the rest of the Yard there's no step that isn't a door.

P8CLOSE, Veyra

looking down at her own boots.

VEYRA
…When he took it, I moved. I haven't moved in a fight since I was nine.
WENDLAN
Did you like it?

(Veyra doesn't answer.)

PAGE 4
P9CUT. The Marka, night, the galley.

The crew round the table under a swinging lamp. Kompis is wrapping Vigolas's blistered palm in a bandage. At the empty end of the bench sits Kali's fourth bowl, full.

TROLLMAGE
We can't outrun him. He's behind every door in the world.
P10CLOSE, Rougeina

unfolding the list on the table. Two lines crossed off, two blank lines to everyone else. The next one reads WENDLAN.

ROUGEINA
Then we go to him.
P11TWO-SHOT, Vigolas and Rougeina.
VIGOLAS
We go up there and make him open the doors.
ROUGEINA
You go up there to open doors. I'm going up there to close a name.
PAGE 5
P12CLOSE, Kompis

his hands stopping on the bandage.

KOMPIS
If he dies… what happens to the gates?
P13CLOSE, Trollmage

the Codex open, its pages very still.

TROLLMAGE
They're his nerves. If he falls, they go dark. All of them. Everywhere. At once.
P14CLOSE, Kompis.
KOMPIS
Then nobody gets home. Not us. Not that girl and her mum. Not anybody, ever.
P15SILENT PANEL.

The lamp swings. Nobody says anything.

PAGE 6
P16CLOSE, Vigolas

looking at his bandaged hand.

VIGOLAS
Nobody's getting home now, buddy. He's shut every door there is, and he's penning people at every one he shut.
VIGOLAS
A door that only opens for the Order isn't a door.
VIGOLAS
It's a wall.
P17MID.
SMURJAN
We'd be cut off. From the troll yard. From Brygdar. From everything we know.
DREKKslapping a broad hand down on the table
We'd have the ship. The Marka never needed a door.
VIGOLAS
The long way, then. If it comes to that.
ROUGEINA
It'll come to that.
P18CLOSE, Kompis

his hand on Ivar's little box at his hip.

KOMPISto the box, softly
The long way to Smedjan too, old man. Hold on.
PAGE 7
P19CLOSE, Vigolas

flexing his burned fingers.

VIGOLAS
Or I could just… take his gates. REMOVE them.
TROLLMAGE
No. Transit isn't a knack, it's an office. It runs through nine realms. That's beyond any measure you've got. It wouldn't take a face. It'd take all of them.
VIGOLAS
…All of them's a lot.
TROLLMAGE
Yes.
P20CLOSE, Vigolas.
VIGOLAS
So how do we get up there?
KOMPIS
I've been there.
PAGE 8
P21FLASHBACK, grey and cold.

A line of small children in grey Nursery smocks, eight-year-old Kompis among them clutching a cloth bundle, climbing a long white stair into the wind. At the top: the orchard of doors, the sea of cloud, and Wendlan at his bench, not one day younger than he is now (an Architect's face never changes), waving cheerfully at them with a chalky hand. A Nursery matron's voice from above the panel:

MATRON
Look, children. This is so you know the Order can put you anywhere.
P22CLOSE, Kompis, now.
KOMPIS
Every Nursery child goes up once. And at the edge of the Yard there's a frame bigger than all the others. The Sea Frame. They drop finished frames through it to the barges on the Current.
KOMPIS
Its other end hangs in the sky over the Shallows. Two days east.
PAGE 9
P23CLOSE, Drekk.
DREKK
Then that's where I'll be. Right under it.
P24TWO-SHOT, Vigolas and Rougeina.
VIGOLAS
Good. That's how we get home. Now how do we get in?
ROUGEINA
He wants me. He'll open a door to get me.
VIGOLAS
No.
ROUGEINA
It's my list.
VIGOLAS
It's my crew.
P25CLOSE, Rougeina.

The smallest smile.

ROUGEINA
…Then come through after me.
P26CLOSE, Vigolas

the grin breaking out.

VIGOLAS
Now we're planning.
PAGE 10
P27MONTAGE, two days at sea.

Trollmage asleep in his coil of rope, the crow asleep on his belly: "Wake me when we're there. I'm banking every minute."

Rougeina on the bow, not Swapping, all day, all night.

Vigolas at the rail, tying a bowline with his burned hand, getting it right.

Smurjan and Drekk at the wheel together at night, not speaking, sharing one cup of troll-coffee neither of them can drink.

P28CLOSE, Kali

at the rail at dusk, looking down at the black water. In the reflection beside her own red braid, for one heartbeat, a black braid.

KALInot looking away
…Not now, brother.

The reflection is just her own again.

PAGE 11
P29WIDE, two days later.

The Marka lies becalmed on the starlit Current. Hanging in the empty sky above her, impossibly high, silent, the Sea Frame: a colossal rectangle of white iron the size of a mountain's face, standing on nothing. Inside it, faint and far, a glimpse of white stone and moonlit cloud.

VIGOLAS
…That's a big door.
P30TWO-SHOT, Vigolas and Drekk

at the wheel.

DREKK
I'll be here. Right under it.
DREKK
Come home through it.
VIGOLAS
Always do.
PAGES 12–13 — SPLASH
P31SPLASH (double page). THE ITCH.

Rougeina stands on the Marka's bow under the stars, and she Swaps.

And Swaps. And Swaps, and Swaps: bow to masthead, masthead to a gull, gull to a wave crest, wave crest to a floating spar, spar to the bowsprit, a star's reflection in the water, the crow's nest, the rudder, back to the bow. Hundreds of times. Every Swap leaves a silver-rose phantom trail, and the night sea around the Marka fills with them, a constellation of Rougeinas hanging in the dark: the brightest map in the world, every line of it pointing at her.

Inset, a small hard-edged panel in the corner: the Gate Yard. Wendlan clawing at his forearm with his good hand, eyes watering, teeth bared.

WENDLAN
Oh, you little—
PAGE 14
P32CUT. The Gate Yard.

Wendlan snaps upright, scratching furiously, and points two fingers at the night.

WENDLAN
Right. Come here, then.
P33ACTION, the Marka's deck.

Under Rougeina's bare feet, mid-Swap, a frame unfolds flat in the deck, and she drops straight into it.

ROUGEINAfalling
NOW.
PAGE 15
P34ACTION.

The crew dives after her before the door can fold.

Vigolas grabs the sleeping Trollmage by the collar (Captain's Pull) and hurls him in first, crow and all, then dives after him.

Smurjan steps in without a word, three shadows pouring after him like water.

The panther leaps.

Kompis jumps with Mingus in his arms.

LILLA ULVsoul-text
wheeeeeeEEEEE—
P35CLOSE, Drekk

at the wheel, alone, shouting after them into the closing door.

DREKK
COME HOME THROUGH IT!
P36WIDE.

The frame folds shut like a ruler and is gone. Drekk stands alone at the wheel of the becalmed Marka, under the vast silent Sea Frame in the sky. He reaches out and rings the Kettle's bell once.

DONG
PAGE 16 — THE HOOK
P37WIDE, a roaring white wind.

The crew tumbles out of a frame onto cold white stone, high above a sea of moonlit cloud. Frames stand all around them in rows, every one showing another sky. Rougeina is already on her feet with eight blades out, her panther beside her. In the middle of the Yard, on a stone pillar inside a ring of open doors, Veyra stands at her stake.

P38FINAL PANEL.

Across the terrace, at his workbench, a wind-burned man with his goggles pushed up and his left hand in splints turns round on his stool and looks at them, a hinge in one hand and a chalk in the other, and smiles.

WENDLAN
Oh, good. A house call.
END OF CHAPTER 91

Script edition: the pages as written, before the art.