SCALELIST UNIVERSE
Saga II · The Call · Arc 3 · Sömnen

Chapter 51

Little Storm
PAGE 1
P1WIDE, the Hall of Mirrors.

An endless corridor in the dream, lined floor to ceiling with tall silver mirrors in frames of frosted wood. Snow drifts upward between them. Rougeina stands alone in the middle, eight thin blades drawn, barefoot on the cold glass floor.

P2CLOSE, the mirrors.

In every one, her reflection is a little fainter than the last. Further down the hall they're barely there: a ghost of crimson hair, then just a smudge, then nothing. Just a mirror reflecting an empty hall.

PAGE 2
P3CLOSE, Rougeina

breathing slow, controlled.

ROUGEINAto herself
It's a dream. It's his dream, it's not even mine. It's just borrowing my furniture.
P4CLOSE, the nearest mirror.

Her reflection speaks, a half-second before she does, in her own voice:

REFLECTION
Then why are you shaking?
PAGE 3
P5ACTION.

Rougeina Swaps with a mirror across the hall, to get behind it.

P6ACTION.

The reflection Swaps at the exact same instant, so it's behind her. A blade made of reflected light opens a line across her shoulder blade.

P7CLOSE, Rougeina

stumbling, blood on the glass floor.

ROUGEINA
…Fast.
REFLECTIONstepping out of the frame, solid now
Not fast. Same.
PAGE 4
P8FULL FIGURE, the Nightmare.

It is Rougeina exactly: crimson hair, eight blades, bare feet. But it's flat, like a painting walking. And its face keeps flickering, there one moment and then blank, the features fading and returning like a candle in wind.

P9CLOSE, the Nightmare

smiling with a face that comes and goes.

NIGHTMARE
You kill someone and the world forgets they ever lived. Everyone except you.
NIGHTMARE
Who's going to remember you?
PAGES 5–6 — THE MIRROR DUEL
P10ACTION, a run of fast panels.

Rougeina Swaps left. The Nightmare Swaps left.

She Swaps up onto a mirror frame. It's on the opposite frame.

She Swaps three times in a blur, the phantom trails crisscrossing the hall like silver-rose ribbons. It mirrors all three, its trails exactly matching hers, a reflection of her own pattern.

Every exchange ends with a new cut on her: forearm, thigh, cheek.

P11WIDE.

The hall is a web of silver-rose phantom trails, hers and its own, crossing and recrossing. In the middle, two Rougeinas face each other, one bleeding and one flickering.

PAGE 7
P12CLOSE, Rougeina

on one knee, panting, blood running into her eye.

ROUGEINAthinking
It isn't faster. It isn't stronger. It's me. Every time I move, it moves.
P13CLOSE, the Nightmare

waiting, perfectly matching her pose, also on one knee, its face blank, then not.

NIGHTMARE
You'll fade. Like the others. Like Baldr. Who remembers Baldr?
P14CLOSE, Rougeina.
ROUGEINA
…I do.
PAGE 8
P15CLOSE, Rougeina

a flash of memory: a kind grandfather face, a pen that signs birthday cards, a man the whole world has forgotten except her. She carries all of them.

ROUGEINA
I remember every one. That's the price. I carry them so they're not nowhere.
P16CLOSE, Rougeina

standing up slowly. She lowers her blades.

ROUGEINA
And I'm not afraid of being forgotten.
ROUGEINA
I'm afraid of being forgotten by him. By the idiots on that deck.
P17CLOSE, the Nightmare

standing exactly as she does, blades lowering. A fraction slow.

PAGE 9
P18CLOSE, Rougeina.

She goes still. Blades down. Eyes on the Nightmare. Not moving at all.

P19CLOSE, the Nightmare.

Still too, mirroring. The two of them stand frozen in the hall, the silver-rose trails slowly fading around them.

P20WIDE.

Silence. Upward-falling snow drifts between them. Neither moves.

PAGE 10
P21CLOSE, Rougeina's eyes

steady.

ROUGEINAthinking
A reflection can't go first.
P22CLOSE, the Nightmare.

Its face flickers out. Back. Out. It's hungry. It needs her to move; it needs to cut. Its fingers twitch on its blades.

P23CLOSE, Rougeina

a small, cold smile.

ROUGEINA
Go on, then.
PAGES 11–12 — SPLASH
P24SPLASH (double page). A REFLECTION CAN'T GO FIRST.

The Nightmare moves first, lunging, blades out, its face blazing wrong as it breaks the rule of what it's pretending to be.

In that moment it's not her reflection any more. It's just a Nightmare in her shape. And Rougeina, who never moved, Swaps with its own phantom trail, the silver-rose ribbon it left half a heartbeat behind, and appears exactly where it was, inside its guard, all eight blades crossing through its chest.

The Nightmare shatters into a thousand shards of mirror, each one tumbling upward with the snow, each shard holding one frame of her face.

PAGE 13
P25WIDE.

The hall is quiet. All the mirrors are clear now, her reflection steady in every one. Not fading.

P26CLOSE, Rougeina

sinking down against a mirror frame, bleeding from a dozen cuts. She laughs once, shakily.

ROUGEINA
…Swapped with your trail. You don't get to have those, they're mine.
PAGE 14
P27WIDE.

A thin crimson line cuts through the hall from somewhere far away, straight as a laser, from mirror to mirror, bending around corners that shouldn't bend: a Sightline. Smurjan walks along it into the hall, third eye blazing.

SMURJAN
Found you.
ROUGEINA
Took you long enough.
P28CLOSE, Smurjan

offering her a hand up. She takes it.

PAGE 15
P29MID, the two of them

about to leave. Smurjan stops. His third eye narrows.

P30CLOSE, one mirror

at the very end of the hall. Unlike the others it doesn't reflect snow or Rougeina. It is dark steel, a deep blue-grey, cold and polished.

P31POV, through the third eye.

Every other mirror in the hall is drawn in faint dream-lines. This one is drawn in hard, solid, real lines. It isn't dreamed. It's here. And it's made of the same steel as the eight blades on Rougeina's back.

P32CLOSE, Smurjan's three shadows

on the glass floor, all of them flinching away from that mirror at once.

SMURJANvery quietly
…That one isn't part of the dream.
PAGE 16 — THE HOOK
P33CLOSE, Rougeina

turning toward it, frowning.

ROUGEINA
What do you mean, it isn't—
P34CLOSE, the dark mirror.

Something moves deep inside the steel. Not a face. A warmth, like breath on a cold window from the other side.

P35FINAL PANEL, close on Rougeina's face

all the colour gone from it, eyes wide.

A WOMAN'S VOICEfrom the mirror, gentle, the way you'd wake a child
"Little storm."
END OF CHAPTER 51

Script edition: the pages as written, before the art.